Female Performers on a Male Stage

Abstract

In this concluding chapter, I argue that feminists should reject social media and return to older forms of revolutionary praxis. I examine how the contemporary conditions of advanced neoliberal capitalism have dovetailed with the ideology of the social media industry to produce new cultural and political challenges for feminist organising. In doing so, I establish social media as a space that men have created for their own patriarchal, commercial and militaristic purposes. The book ends with a call for the revival of face-to-face small group organising.