Abstract:This article presents a case study of a documentary film to demonstrate the need to look beyond conventions for insight into youth incarceration. Yau Ching’s (2010) We Are Alive documents a series of media production workshops conducted in juvenile correctional centres and training centres in Hong Kong, Macao and Sapporo, Japan. We Are Alive is a significant media text for analysis for two reasons. First, it is a youth-led documentary that offers a glimpse into settings that are often inaccessible to researche… Show more
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