Faut-il renouveler le regard sur les franges périphériques des villes du Sud ? Le cas des périphéries brésiliennes

Cerqueira, Eugênia Viana

doi:10.4000/confins.14043

Cited by 3 publications

(6 citation statements)

References 13 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Nas entrevistas, porém, evidenciou-se que, no decorrer dos anos, essas práticas urbanas de requalificação e ressignificações colocadas em ato pelo poder público municipal se mostraram equivocadas, enquanto os habitantes das comunidades do entorno marginalizado foram esquecidos (Ren, 2021;Robles et al, 2021). Boa parte das políticas públicas voltadas aos processos de requalificações urbanas de espaços urbanos marginalizados se basearam em projetos desenvolvidos com uma lógica funcionalista, que muitas vezes não respeitaram o uso histórico, cultural, político, além das vocações dos lugares (Barbalho & Barreto, 2020;Cerqueira, 2018;C. C. O. Lacerda et al, 2023;Oliveira, 2018;Velázquez, 2007).…”

Section: A Comunidade Do Poço Da Draga E O Distrito Criativo Da Cidad...unclassified

“…A comunidade do Poço da Draga sofre com diversos problemas característicos dos territórios situados às margens (Barbalho & Barreto, 2020;Cerqueira, 2018;Oliveira, 2018;Velázquez, 2007), típicas das cidades do Sul global (C. C. O. Lacerda et al, 2023;Miraftab & Kudva, 2015;Sternberg, 2017), advindas de vários fatores, como baixos índices de renda, altos índices de desemprego, falta de saneamento básico, entre outras questões, intensificadas pela escassez de políticas públicas (Das & Poole, 2004;Oliveira, 2018).…”

Section: O Organizar Das Práticas De Espaço E a Economia Criativa De ...unclassified

See 1 more Smart Citation

A economia criativa enquanto prática de espaço no contexto das cidades criativas do sul global: o caso do Poço da Draga

Pinheiro,

Ipiranga,

Lopes

2024

Rev. Adm. Pública

View full text Add to dashboard Cite

Em 2019, Fortaleza, capital do Ceará, recebeu a chancela da Organização das Nações Unidas para a Educação, a Ciência e a Cultura (UNESCO) de cidade criativa do design. Com isso, a prefeitura vem atuando na organização de um distrito criativo entre os espaços de dois bairros contíguos. Nas margens urbanas que circundam esses espaços está situada a comunidade Poço da Draga, que vem organizando um conjunto de ações em prol da economia criativa. Este estudo propõe uma discussão sobre a economia criativa como prática, lançando luzes sobre perspectivas críticas alternativas de análise de políticas públicas relacionadas à organização de distritos criativos em cidades do Sul global. Para isso, considerou-se o conceito de "prática do espaço" como retórica ambulante, um modo de ser e fazer de quem habita a cidade. O objetivo é discutir como a economia criativa pode atuar como prática de espaço. A metodologia de natureza qualitativa envolveu levantamentos bibliográficos e documentais, complementados por entrevistas e procedimentos de observação nos espaços sob estudo. A análise se baseou no exame temático das práticas de espaço identificadas à luz do objetivo da pesquisa. Os principais resultados evidenciam um conjunto de práticas de espaço, emancipatórias e de resistência perpassadas pela criatividade, colocadas em ato pelos habitantes da comunidade do Poço da Draga. Sugere-se que as políticas públicas para as cidades criativas do Sul global considerem os "fazeres" potenciais de seus habitantes, visando à organização das práticas de espaços urbanos marginalizados. Palavras-chave: economia criativa; cidade criativa; prática de espaço; política pública.La economía creativa como práctica espacial en el contexto de las ciudades creativas del sur global: el caso de Poço da Draga

show abstract

Section: A Comunidade Do Poço Da Draga E O Distrito Criativo Da Cidad...unclassified

Section: O Organizar Das Práticas De Espaço E a Economia Criativa De ...unclassified

A economia criativa enquanto prática de espaço no contexto das cidades criativas do sul global: o caso do Poço da Draga

Pinheiro,

Ipiranga,

Lopes

2024

Rev. Adm. Pública

View full text Add to dashboard Cite

show abstract

“…In Latin America, the discussion of margins has been applied in works such as those by Barbalho and Barreto (2020), Cerqueira (2018), C. C. O. Lacerda et al (2023), andVelázquez (2007), who used the concept to recognize the production of unique specialties through the study of urban space according to its social, cultural, political, and historical content.…”

Section: The Practices Of Space In the Creative City Of The Global Southmentioning

confidence: 99%

“…In the interviews, however, it became clear that, over the years, these urban requalification and re-signification practices put in place by the municipal government proved to be misguided, while the inhabitants of the marginalized surrounding communities were forgotten (Ren, 2021;Robles et al, 2021). A large part of the public policies aimed at urban requalification processes in marginalized urban spaces have been based on projects developed with a functionalist logic, which have often failed to respect the historical, cultural, and political uses, as well as the vocations of the places (Barbalho & Barreto, 2020;Cerqueira, 2018;C. C. O. Lacerda et al, 2023;Oliveira, 2018;Velázquez, 2007).…”

Section: The Community Of Poço Da Draga and The Creative District Of ...mentioning

confidence: 99%

Creative economy as a space practice in the context of creative cities of the global south: the case of Poço da Draga

Pinheiro,

Ipiranga,

Lopes

2024

Rev. Adm. Pública

View full text Add to dashboard Cite

In 2019, the United Nations Educational, Scientific and Cultural Organization (UNESCO) recognized the capital of the Brazilian state of Ceará, Fortaleza, as a creative city of design. Since then, Fortaleza has been working to organize a Creative District between the spaces of two contiguous neighborhoods. On the urban margins surrounding these spaces is located the Poço da Draga community, which has been organizing a set of actions in favor of the creative economy. This study proposes a discussion about the creative economy as a practice, shedding light on alternative critical perspectives for analyzing public policies related to the organization of creative districts in cities of the global south. The concept of "practice of space" was considered as walking rhetoric, a way of being and doing for those living in the city. The objective was to discuss how the creative economy can act as a practice of space. The qualitative and exploratory methodology involved bibliographical and documentary surveys, complemented by interviews and observation procedures in the spaces under study. The analysis was based on the thematic examination of the identified practices of space, considering the research objective. The main results showed a set of practices of space, emancipatory and resistance permeated by creativity, put into action by the inhabitants of Poço da Draga. It is suggested that public policies for creative cities in the global south consider the potential "doings" of their inhabitants, aiming at organizing practices in marginalized urban spaces.

show abstract

“…In urban studies literature, margins of cities are understood as spaces situated outside the pre-existing totality, thus they enable reflection of new processes of spatial organization (Robles et al ., 2021; Gururani and Loraine, 2021; Ren, 2021). In the Latin American sphere, as a conceptual category, the margin has been applied in works such as that of Velázquez (2007), Souza (2003) and Cerqueira (2018), who use the concept to recognize the production of singular specialties through the study of space according to its own social, cultural, political and historical content.…”

Section: Critical Organizational History Of the City Margins: The Ben...mentioning

confidence: 99%

A critical organizational history of city margins in the Global South

Lacerda

Ipiranga

Thoene

2023

QROM

View full text Add to dashboard Cite

PurposeThe city of Fortaleza, capital of the state of Ceará in the north-east of Brazil, presents a paradox as a present-day tourist destination, while also marked by features and processes characteristic of cities in the Global South, such as high levels of social inequality with fragmented urban margins and vulnerabilities. This research problematizes the idea of “historical ruins” proposed by Walter Benjamin as a viable way to understand how the organization process of today's city margins can be “denaturalized” by the past. The objective of this research is to assess how the urban margins of the city were organized as a history of resistance.Design/methodology/approachIn theoretical terms, this research links critical urban studies with critical approaches to organizational history (COH) based on Walter Benjamin's philosophical concepts of “ruins” and “progress”. The historical and archival methodology, consisting of 193 documents, suggests the existence of a philosophical–historical nexus that helps explain the spatial fragmentation of the city, and especially the urban margins in the western region of Fortaleza.FindingsThe Benjaminian notion of “historical ruins” has been exemplified by the Brazilian government practices confining migrants fleeing drought in internment camps on the margins of the city of Fortaleza in three waves beginning in 1877, 1915 and 1932 respectively. The effects of such confinement policies put into practice in the name of “progress” influenced the organization of large urban spaces on the city's margins, whereas on the other hand, the analyses advanced in this research reflect on alternatives to re-frame the history of the organization of the margins of Fortaleza through a set of practices of resistance.Originality/valueBased on the concept of “denaturalization”, and through re-activation of the memory of a circumstantial past, the gaze of the “ruins”, as represented by the belief in “progress” addressed in official reports of government confinement policies, spaces of resistance have emerged where new possibilities for the future of the city can be imagined.

show abstract

Faut-il renouveler le regard sur les franges périphériques des villes du Sud ? Le cas des périphéries brésiliennes

Cited by 3 publications

References 13 publications

A economia criativa enquanto prática de espaço no contexto das cidades criativas do sul global: o caso do Poço da Draga

A economia criativa enquanto prática de espaço no contexto das cidades criativas do sul global: o caso do Poço da Draga

Creative economy as a space practice in the context of creative cities of the global south: the case of Poço da Draga

A critical organizational history of city margins in the Global South

Contact Info

Product

Resources

About