“…First, it maintains that``radical social change begins with the actions and gestures of everyday life'' (Hyman, 1997, page 81). Such an observation is in keeping with the burgeoning literature on everyday forms of resistance, which is sometimes the only avenue available to subordinated populations (de Certeau, 1984;Enstad, 1998;Mullings, 1999;Scott, 1990). Second, it situates performance as both critical and imaginative praxis.…”