1997
DOI: 10.1525/9780520926158
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Fascist Spectacle

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Cited by 258 publications
(12 citation statements)
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“…Such rhetorical extravagance seems to be a common feature of all cults of personality. Mussolini was called a ‘social archangel,’ an ‘envoy of God,’ and a ‘man of Providence’ (Falasca-Zamponi, 1997: 65–66). Hitler was revered as ‘the greatest German of all times,’‘the best imaginable expert in every specialized field,’ and ‘the highest synthesis of his race’ (Waite, 1977: 82–83).…”
Section: Cults Of Personalitymentioning
confidence: 99%
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“…Such rhetorical extravagance seems to be a common feature of all cults of personality. Mussolini was called a ‘social archangel,’ an ‘envoy of God,’ and a ‘man of Providence’ (Falasca-Zamponi, 1997: 65–66). Hitler was revered as ‘the greatest German of all times,’‘the best imaginable expert in every specialized field,’ and ‘the highest synthesis of his race’ (Waite, 1977: 82–83).…”
Section: Cults Of Personalitymentioning
confidence: 99%
“…As Service (2005: 545) notes, ‘History, politics, economics, geography, linguistics and even chemistry, physics and genetics were said to be inadequately studied unless they incorporated his guiding ideas.’ Similarly, during the Chinese Cultural Revolution, it was claimed that Mao Zedong Thought produced cures for illnesses such as cancer and deafness (Leese, 2011). Mussolini was said to be able to stop the flow of lava and make rain fall (Falasca-Zamponetti, 1997). Kim Jong-il was credited with the ability to control the weather and teleport from place to place.…”
Section: Cults Of Personalitymentioning
confidence: 99%
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“…Military propagandists recognised the contradictions within their representations of Balkan Slavs either as uniformly hostile savages responding only to force or as innocent victims of communism in need of charity, and of Italian soldiers either as unfeeling standard-bearers of a warrior race or as compassionate and generous members of a Christian fraternity. Falling back on concepts of Italy’s superior Latin civilisation, an article in La Tradotta feebly claimed that Italian soldiers were ‘sufficiently great and civilised and strong in arms to feed an innocent child, and to destroy without mercy and to the last man those who prove themselves enemies of Rome.’ 32 The war artist, Avondo – a professional illustrator who had produced anti-bourgeois propaganda for the regime in the 1930s (Falasca-Zamponi 1997, 112) – attempted to combine Fascist themes of racial superiority, masculinity, anti-communism, and imperial romanità with those of Catholic charity in his drawing of a larger-than-life soldier, with hammer and sickle under his boot, handing bread to a scrawny, ill-clothed, and wide-eyed boy (Figure 6).
Figure 6Avondo, ‘Il fante italiano in Balcania’, La Tradotta del Fronte Giulio , 29 November 1942, 1.
…”
Section: Christian Fraternitymentioning
confidence: 99%