Fans 2017
DOI: 10.1007/978-3-658-17520-7_2
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Fans in theoretischer Perspektive

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Cited by 5 publications
(3 citation statements)
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“…Schultz and Linden (2014) demonstrate that women were only welcome as spectators to American sports under strict conditions—either as moral agents to calm down the unruly men or as consumers filling up the stands (Fink, Trail, & Anderson, 2002). Women have been met with suspicion when they deviated from these norms and claimed to be “fans” who went to see the sport of their own accord and have a “long-term, intensive emotional relationship” (Roose, Schäfer, & Schmidt-Lux, 2017, p. 4) with it rather than for family or social reasons (Cere, 2012; Crawford & Gosling, 2004; Davies, 1992; Dell, 1998; Montez de Oca & Cotner, 2018).…”
mentioning
confidence: 99%
“…Schultz and Linden (2014) demonstrate that women were only welcome as spectators to American sports under strict conditions—either as moral agents to calm down the unruly men or as consumers filling up the stands (Fink, Trail, & Anderson, 2002). Women have been met with suspicion when they deviated from these norms and claimed to be “fans” who went to see the sport of their own accord and have a “long-term, intensive emotional relationship” (Roose, Schäfer, & Schmidt-Lux, 2017, p. 4) with it rather than for family or social reasons (Cere, 2012; Crawford & Gosling, 2004; Davies, 1992; Dell, 1998; Montez de Oca & Cotner, 2018).…”
mentioning
confidence: 99%
“…People have felt connected to various kinds of media figures long before the advent of digital media. No matter if it is the feeling of identification with the heroine of a novel or the feeling of emotional connection with an actor or the role he is playing -the sensation of relatedness despite a lack of direct means of communication and personal encounter is one of the defining features of fandom (Roose et al 2017;Schmidt-Lux 2014). Fandom, however, can refer to almost anything in terms of content.…”
Section: The Theoretical Framework Of Media Persona -Fan Relationshipmentioning
confidence: 99%
“…Sie wissen daher auch nicht, wie er beispielweise seine Rolle als Familienvater tatsächlich ausfüllt. Die "Aura des Heiligen" wird stattdessen durch eine starke Abgrenzung zwischen charismatischem Pastor und "Fans" (Roose et al 2017) räumlich aufrechterhalten.…”
Section: Fall 2: Der Gottesdienst Als Performance: "Lakewood Church" Verhältnis Zwischen Kulturellem Hintergrundwissen (1) Und Darstellerunclassified