Abstract:Film criticism in China has been changing due to a growing fan community and their active participation in online
film reviewing. While social media has democratized who can write reviews, there remain distinct hierarchies of professional and
amateur reviewers. Drawing upon Henry Jenkins’ (2006b) concept of “knowledge community”
and Alex Bruns’ “produsage” model (2008), this article will explore how Chinese film
fans use translation to shape the online reception of a film and participate in… Show more
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