2013
DOI: 10.1080/10371397.2013.816240
|View full text |Cite
|
Sign up to set email alerts
|

Faces of New Tokyo: Entertainment Districts and Everyday Life during the Interwar Years

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1

Citation Types

0
2
0

Year Published

2015
2015
2022
2022

Publication Types

Select...
5

Relationship

0
5

Authors

Journals

citations
Cited by 6 publications
(2 citation statements)
references
References 9 publications
0
2
0
Order By: Relevance
“…As Ohno (2016) states, these places are built not only on Tokyo’s physical boundaries (near slopes, river crossings or at the edge of urbanized areas) but also constitute part of its socio-cultural “cracks”: places where the marginal, the outlaws, the outcast gather, where the culturally irreverent seek news and ideas from abroad, and where the artists and the theatres performers sparkle (Tipton, 2013). If the wide commercial street is the place in which vibrant and colourful signs compete to catch one’s attention to the multi-story buildings where small and large shopping and even restaurants locate, in the back and lower fabric discreteness is where the common feature is likely to be found.…”
Section: Tokyo: Between Metropolitan Network and Fine-grain Fabricsmentioning
confidence: 99%
“…As Ohno (2016) states, these places are built not only on Tokyo’s physical boundaries (near slopes, river crossings or at the edge of urbanized areas) but also constitute part of its socio-cultural “cracks”: places where the marginal, the outlaws, the outcast gather, where the culturally irreverent seek news and ideas from abroad, and where the artists and the theatres performers sparkle (Tipton, 2013). If the wide commercial street is the place in which vibrant and colourful signs compete to catch one’s attention to the multi-story buildings where small and large shopping and even restaurants locate, in the back and lower fabric discreteness is where the common feature is likely to be found.…”
Section: Tokyo: Between Metropolitan Network and Fine-grain Fabricsmentioning
confidence: 99%
“…As the sociologist Nozomu Ikei explains, the pleasures of socializing in the company of large crowds is the peculiar draw of the sakariba and big city living (cited in Linhart, 1998). In his "Shinjuku Sketch", the writer Ryūtanji suggests that Shinjuku embodies a "modern tempo" that is engendered by the mass movement of crowds during the busy commuting hours of the day (cited in Tipton, 2013).…”
Section: Reflections: the Enchantment Of City Crowdsmentioning
confidence: 99%