“…In the South African context, where the idea of a national literature has been a vexed question in the past (Attwell and Attridge, 2012; Nkosi, 2002; Oliphant, 2004) and continues to be contested in the context of the country’s postapartheid shift towards a “transnational cosmopolitanism” (Frenkel, 2016: 4), the short story has been utilized by various population groups to claim belonging and/or express dissent with repressive political orthodoxies. 1 Most notably, however, short story criticism on apartheid as well as contemporary short story writing in South Africa has consistently emphasized the genre’s disposition to capture the fragmented realities of socio-political transitions in the country (MacKenzie, 1999a; Marais, 2014; Oliphant, 1996).…”