2004
DOI: 10.1080/02564710408530341
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Fabrications and the question of a National South African literature

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Cited by 7 publications
(3 citation statements)
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“…Journals have also impacted the growth of society as well. Issues that have not been solved for a long period of time and have been discussed in periodic journals tend to trigger concern among the responsible parties and other bodies, for example, an instance of gender discrimination at a workplace [9]. If someone gets discriminated against in a work setting and nothing is done at that moment, publishing a journal article about that topic will spike the eyes of many people.…”
Section: Analysis Of the Impactmentioning
confidence: 99%
“…Journals have also impacted the growth of society as well. Issues that have not been solved for a long period of time and have been discussed in periodic journals tend to trigger concern among the responsible parties and other bodies, for example, an instance of gender discrimination at a workplace [9]. If someone gets discriminated against in a work setting and nothing is done at that moment, publishing a journal article about that topic will spike the eyes of many people.…”
Section: Analysis Of the Impactmentioning
confidence: 99%
“…The term "nation" also has different connotations in different contexts (Oliphant, 2004). My use of the term acknowledges that both Norway and Eritrea are imagined and constructed as nations, though at different times and in significantly different ways.…”
Section: Culture and Nationmentioning
confidence: 99%
“…In the South African context, where the idea of a national literature has been a vexed question in the past (Attwell and Attridge, 2012; Nkosi, 2002; Oliphant, 2004) and continues to be contested in the context of the country’s postapartheid shift towards a “transnational cosmopolitanism” (Frenkel, 2016: 4), the short story has been utilized by various population groups to claim belonging and/or express dissent with repressive political orthodoxies. 1 Most notably, however, short story criticism on apartheid as well as contemporary short story writing in South Africa has consistently emphasized the genre’s disposition to capture the fragmented realities of socio-political transitions in the country (MacKenzie, 1999a; Marais, 2014; Oliphant, 1996).…”
Section: Introductionmentioning
confidence: 99%