In the last few years, Native filmmakers have begun drawing explicitly on the science fiction genre. Engaging recent short films depicting noncolonial encounters of the third kind and alternative utopian–dystopian futures, I argue that Native science fiction film provides a creative subversive mode of representation, uniquely positioning indigenous filmmakers to vividly reimagine a multiplicity of futures for their communities while critically addressing contemporary issues. Synthesizing scholarship in visual anthropology, afro and feminist futurism, and indigenous methodologies, I attempt to further develop an indigenous futurist analytical framework as part of a larger argument for increased anthropological engagement with Native futures.