Exposing the Imperial Cultural Fabric: Critical Description in Zola's La Curee

Harrow, Susan

doi:10.1093/fs/liv.4.439

French Studies

2000

DOI: 10.1093/fs/liv.4.439

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Exposing the Imperial Cultural Fabric: Critical Description in Zola's La Curee

Susan Harrow

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Speculative Capital: Zola’s Repossession of Paris

Tanner¹

2015

esp

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Among the most notable spaces in Émile Zola’s La curée (1871-72) is the Saccards’ hothouse, which serves as both an exemplar of Second Empire Paris and a showcase for Zola’s most extravagantly imaginative scenes. This article locates the hothouse as a model for Zola’s bimodal vision of Paris in the Rougon-Macquart , one that incorporates Haussmann’s city but reconfigures it as the grounds for establishing Zola’s own literary empire.

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Speculative Capital: Zola’s Repossession of Paris

Tanner¹

2015

esp

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Violated Boundaries and Accomplice Spaces in Zola’s The Kill and Nana

Wilkinson¹

2017

Journal of the Midwest Modern Language Association

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Exposing the Imperial Cultural Fabric: Critical Description in Zola's La Curee

Cited by 2 publications

References 0 publications

Speculative Capital: Zola’s Repossession of Paris

Speculative Capital: Zola’s Repossession of Paris

Violated Boundaries and Accomplice Spaces in Zola’s The Kill and Nana

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