2012
DOI: 10.1176/appi.psychotherapy.2012.66.3.205
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Exploring the Therapist’s Use of Self: Enactments, Improvisation and Affect in Psychodynamic Psychotherapy

Abstract: Psychoanalytic psychotherapists, drawing upon intersubjective and attachment theories, recognize that mutual influence impacts the treatment process. Mutual influence generates enactments--emotionally intense joint creations stemming from the unconscious of both therapist and patient--which often leave both patient and therapist feeling confused and stuck. The author presents a case in which the therapist's use of improvisational role play was a critical therapeutic response to an enactment. The therapist's se… Show more

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Cited by 6 publications
(9 citation statements)
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“…This conception is important because the process by which the patient and analyst construct meanings in analysis or psychotherapy is subsequently moulded by enactments. They identify that ‘someone’ exists in the mind of ‘some other someone’ and that, as a consequence, this other is being responsive (Loewald, ; Smith, ; Gabbard, ; Reed, ; Feldman, ; Jones, ; Allen, ; Frank, ; Anchin, ; Gerson, ; Sullivan, ; Ivey, ; Stern, ; Yerushalmi, ; Steiner, ; Gilhooley, ; Pagano, ; Boston Change Process Study Group, ; Skogstad, ; Sapisochin, ; Bohleber et al ., ; Cassorla, ; Coren, ). This content reinforces what some authors refer to when they associate the occurrence of enactments with the possibility of corrective emotional experience through which early unconscious conflicts can be experienced with better resolution in the present (Loewald, ; Friedman & Natterson, ; Varga, ; Sullivan, ; Ivey, ; Pagano, ).…”
Section: Resultsmentioning
confidence: 99%
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“…This conception is important because the process by which the patient and analyst construct meanings in analysis or psychotherapy is subsequently moulded by enactments. They identify that ‘someone’ exists in the mind of ‘some other someone’ and that, as a consequence, this other is being responsive (Loewald, ; Smith, ; Gabbard, ; Reed, ; Feldman, ; Jones, ; Allen, ; Frank, ; Anchin, ; Gerson, ; Sullivan, ; Ivey, ; Stern, ; Yerushalmi, ; Steiner, ; Gilhooley, ; Pagano, ; Boston Change Process Study Group, ; Skogstad, ; Sapisochin, ; Bohleber et al ., ; Cassorla, ; Coren, ). This content reinforces what some authors refer to when they associate the occurrence of enactments with the possibility of corrective emotional experience through which early unconscious conflicts can be experienced with better resolution in the present (Loewald, ; Friedman & Natterson, ; Varga, ; Sullivan, ; Ivey, ; Pagano, ).…”
Section: Resultsmentioning
confidence: 99%
“…Many authors characterize enactment as play‐acting (Loewald, ; Jacobs, , McLaughlin, ; Feldman, ; Levine, ; Feldman, ; Hirsch, ; Cassorla, ; Varga, ; Pagano, ; Skogstad, ; Bohleber et al ., ; Coren, ; Bonovitz, ). White () describes how a patient, as ‘protagonist and director’, re‐lives a role from childhood by ‘play‐acting’ on the stage, or in the office of an analyst or therapist, who also plays a role in this dynamic and unconscious performance.…”
Section: Resultsmentioning
confidence: 99%
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