2020
DOI: 10.1177/0255761420919570
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Exploring teachers’ approaches to popular music: Attitudes, learning practice, and issues in South Korea

Abstract: In recent years, a strong focus on popular music has increased in South Korean music education. Although this shift in the curricular content has led to studies on the formation of popular music repertories in the curriculum, few studies have attended to teachers’ attitudes and learning practices to popular music as related factors. To understand popular music education in South Korea, we investigated music teachers’ attitudes, learning practices, and critical issues that have arisen in their teaching. We cond… Show more

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Cited by 4 publications
(7 citation statements)
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References 29 publications
(53 reference statements)
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“…On the other hand, in the interview, the participants illustrated that pop music had a positive impact on their creativity, which were useful to be sources of arrangement and creation. Studies by Kim and Song (2020) and Green (2002Green ( , 2006 are in line with that findings, in which they discovered that learning popular music is relevant to culture as a benefit of teaching popular music, creating a more positive attitude to be included in the curriculum. Lebler's (2008) experience in the practice of popular music pedagogy revealed that the inclusion of popular music as a content area in music education is common.…”
Section: Listening Experience: Pop Musicsupporting
confidence: 67%
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“…On the other hand, in the interview, the participants illustrated that pop music had a positive impact on their creativity, which were useful to be sources of arrangement and creation. Studies by Kim and Song (2020) and Green (2002Green ( , 2006 are in line with that findings, in which they discovered that learning popular music is relevant to culture as a benefit of teaching popular music, creating a more positive attitude to be included in the curriculum. Lebler's (2008) experience in the practice of popular music pedagogy revealed that the inclusion of popular music as a content area in music education is common.…”
Section: Listening Experience: Pop Musicsupporting
confidence: 67%
“…The importance of cultural diversity has increased the discussion of the diversity of musical genres in the school curriculum (Campbell, 2002), including aspects of pop music. In a global context, it seems that many educational institutions have developed diverse attitudes and views towards variations in music, including popular music (Kim & Song, 2020). However, some have disputed that there is still a lack of a teaching model for popular music (Dunbar-Hall, 1993) and inadequate resources of inadequate for teaching popular music (Davis & Blair, 2011).…”
Section: Listening Experience: Pop Musicmentioning
confidence: 99%
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“…Based on the information mentioned above, this study focuses on determining the attitudes and selfefficacy perceptions of students in professional music education regarding modal hearing. Although there are many studies on attitudes and self-efficacy in the field of music in both domestic and foreign literature (Adar, 2008;Ark et al, 1980;Barrett et al, 2020;Bayrakçı, 2019;Canakay, 2006;Çelenk & Şen, 2016;Craske & Craig, 1984;Eldemir, 2015;Guan & Matsunobu, 2022;İnan, 2010;Karakuş & Çelenk, 2020;Kaya, 2022;Kibici, 2022;Kim & Kyoung Song, 2020;Legette, 2003;Lilioğlu, 2019;Lynxwiler & Gay, 2000;McCarthy et al, 2019;Mcpherson & McCormick, 2006;Nielsen, 2004;Nolin & Newman, 1980;Price & Swanson, 1990;Ritchie & Williamon, 2011;Sarı, 2019;Şen & Çelenk, 2017;Şen, 2011;Shaw & Tomcala, 1976;Tyson, 2006;Yıldız, 2014) it is seen that the studies in the field of Turkish music are not a satisfactory level. There is a need for research that reveals the attitudes and self-efficacy of students in special areas of Turkish music such as hearing, performing, and singing.…”
Section: Introductionmentioning
confidence: 99%
“…Yukarıda bahsedilen bilgiler ışığında yapılacak olan bu çalışma, mesleki müzik eğitimi alan öğrencilerin makamsal işitmeye yönelik tutum ve özyeterlik algılarının belirlenmesi üzerine odaklanmıştır. Hem yerli hem de yabancı literatürde müzik alanına yönelik tutum ve özyeterlik çalışmaları çokça yer almasına rağmen (Adar, 2008;Ark vd., 1980;Barrett, vd., 2020;Bayrakçı, 2019;Canakay, 2006;Craske & Craig, 1984;Çelenk & Şen, 2016;Eldemir, 2015;Guan & Matsunobu, 2022;İnan, 2010;Karakuş & Çelenk, 2020;Kaya, 2022;Kibici, 2022;Kim & Kyoung Song, 2020;Legette, 2003;Lilioğlu, 2019;Lynxwiler & Gay, 2000;McCarthy vd., 2019;Mcpherson & McCormick, 2006;Nielsen, 2004;Nolin & Newman, 1980;Price & Swanson, 1990;Ritchie & Williamon, 2011;Sarı, 2019;Shaw & Tomcala, 1976;Şen & Çelenk, 2017;Şen, 2011;Tyson, 2006;Yıldız, 2014) Türk müziği alanında yapılan çalışmaların yeterli düzeyde olmadığı görülmektedir. Özellikle Türk müziğinin işitme, icra, söyleme gibi özel alanlarında öğrencilerin tutum ve özyeterliklerini ortaya koyacak araştırmalara ihtiyaç vardır.…”
Section: Introductionunclassified