“…That is, she does not position herself in rationality, as opposed to madness, but rather shows how these are not two separate spheres that exclude each other: they are interrelated in such a way that identity can dwell in the borderlands, because identity is understood as a divided and multi-faceted whole. Many critics have noted the doubleness of The Yellow Wallpaper's narrator (see Bono Velilla 2021 ;Delashmit 1990;and Johnston 1992), but it must be emphasized how this specularity is not to be seen as a lack or insufficiency. The narrator remains whole throughout, thus aligning herself with Disability Justice and Mad Pride's principle of recognizing wholeness.…”