1971
DOI: 10.2307/832152
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Experimental Music in Schools

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“…Creative Music in Education [CMinED] practices shaped what George Odam (2000) has called "the creative dream." Naturally, such practices induced considerable controversy both in the 1960s and early 70s (see, for example, Lansky 1971, Winters 1970 and at different moments since then. For some, CMinED has been the epitome of progressive education (Odam 2000); others believe that this was yet another failed educational provocation that offered a distorted approach to musical knowledge (Salaman 1983, Rainbow 1996; others think of it as a provocative endeavor that arbitrarily imposed, nevertheless, rationales and concerns of the avant-garde in education (Green 2016).…”
Section: The Democratic Imperative Of Cmined: a View From Rancièrementioning
confidence: 99%
“…Creative Music in Education [CMinED] practices shaped what George Odam (2000) has called "the creative dream." Naturally, such practices induced considerable controversy both in the 1960s and early 70s (see, for example, Lansky 1971, Winters 1970 and at different moments since then. For some, CMinED has been the epitome of progressive education (Odam 2000); others believe that this was yet another failed educational provocation that offered a distorted approach to musical knowledge (Salaman 1983, Rainbow 1996; others think of it as a provocative endeavor that arbitrarily imposed, nevertheless, rationales and concerns of the avant-garde in education (Green 2016).…”
Section: The Democratic Imperative Of Cmined: a View From Rancièrementioning
confidence: 99%