Abstract:We give a semiotic justification of the using of non-canonical wooden sculpture in the Orthodox parishes of Irkutsk in the 18th century. From the standpoint of the semiotic approach, we consider the reasons why the non-canonical status of the sculpture did not prevent its applying in the liturgy. People's perception is presented in its craving for the substantial communication with the sacred, endowed by the existential of presence. Sculpture, from the point of view of the people's worldview, is presented as t… Show more
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