Evolutionary Pointillist Modules: Evolving Assemblages of 3D Objects

Machado, Penousal; Graça, Fernando da

doi:10.1007/978-3-540-78761-7_48

Cited by 3 publications

(3 citation statements)

References 7 publications

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“…It is interesting to note that like planar assemblages (Machado and Graca, 2008;Graça and Machado, 2008), the richness of the object library plays an important role. While in planar assemblages the overarching object's colour discerns the image in the assemblage, in 3D model assemblages it can be discarded, which opens new possibilities [see Figures 11(c) and 11(d)].…”

Section: Discussion Of Resultsmentioning

confidence: 99%

“…The genotype of each individual has five chromosomes (Machado and Graca, 2008;Graça and Machado, 2008): <type, rotation, size, x-position, y-position> identified respectively by the index i ∈ {1, …, 5}. Each chromosome i is an expression-tree calculated for each entry ( ) i xy a of the matrix…”

Section: Representationmentioning

confidence: 99%

“…In Figure 5(d), we present the result of the application of the entire genotype, i.e., <type, rotation, size, x-position, y-position>. In this work (Machado and Graca, 2008), we present several alternative object placement strategies, including the use of dither masks to control the number of objects placed on the canvas, and we make an assessment of the experimental results attained through their use. In the present paper, object placement is entirely determined by the xand y-position chromosomes, no dither masks are used.…”

Section: Genotype-phenotype Mappingmentioning

confidence: 99%

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Evolving assemblages

Graça

Machado

2015

IJART

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Evolving assemblages' explores the transformation of images or three-dimensional (3D) models in order to create large-scale assemblages of 3D objects. The proposed approach allows the evolution of the type, size, rotation and position of each object, constructing a non-photorealistic transformation of a source image or 3D model. The creator evaluates each individual of the population accordingly to his/hers aesthetics preferences, influencing the final outcome of the process. The evolution of assemblages which are mapped to a 3D model is described. The experimental results presented highlight the generalisation abilities of the evolved individuals and the expressiveness of the evolutionary tool.

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Section: Discussion Of Resultsmentioning

confidence: 99%

Section: Representationmentioning

confidence: 99%

Section: Genotype-phenotype Mappingmentioning

confidence: 99%

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Evolving assemblages

Graça

Machado

2015

IJART

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Mixed Media in Evolutionary Art

Maslen

Ross

2022

2022 IEEE Congress on Evolutionary Computation (CEC)

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This thesis focuses on creating evolutionary art with genetic programming. The main goal of the system is to produce novel stylized images using mixed media.Mixed media on a canvas is the use of multiple artistic effects being used to produce interesting and new images. This approach uses a genetic program (GP) in which each individual in the population will represent their own unique solution. The evaluation When writing a thesis challenge, hard-work and perseverance are a few terms that come to mind. As COVID-19 impacted all of our lives, it had a major impact on the development of this thesis as well. Countless late nights, early mornings and entire days built up to the 3 years spent working on this thesis, and preparing this report.Nevertheless, those late nights, and early morning were enjoyable as I was continuing to build upon a unique system. There are many people in my life who have helped me in some way during this time and I would like to shed light on some of them.I would like to thank my supervisor Prof. Brian Ross for all the work he put to building the system into what it is today, for his precise attention to detail and for always being available at anytime. Of course, I knew he would be helping me throughout my masters, but it would be an understatement to say he was extremely helpful. He has without fail helped me in any and every dilemma or setback during this time and it will not be forgotten.Thank you to the authors of ECJ for providing a framework that I was able to build upon and ultimately make the system that I have in front of me today.I would like to thank my family, especially my mom, Elisabeth and my dad, Dave who have always believed in me and supported me my entire life. You both continue to show on a daily basis that your children are your number one priority, doing whatever you could to make my life easier during my masters, even when I have expressed my stress of this thesis through frustration, you both understood the importance of it. I would like to thank my brother, Josh and sisters, Kiana and Marika who reminded me to take breaks, and enjoy time away from the computer during my thesis, and a special thanks to Kiana for letting my use her computer for experiments.I would like to thank my grandparents, who expressed on a weekly basis that my life was "destined for great things". You always kept my mood positive and my stomach full.I would like to thank my dog, Max who at any given time and any given day put a smile on my face. Especially during the multiple lockdowns we've had, you were always laying on the floor beside my feet me while I worked on my thesis.I hope my thesis can inspire others to build upon this system, and find new ways to produce some amazing results."The quality of a person's life is in direct proportion to their commitment to excellence, regardless of their chosen field of endeavor." Vince Lombardi 5.4 Handpicked solution 1, 5 runs were performed using target image 2 with no mask image .

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Photogrowth

Machado

Pereira

2012

Proceedings of the 14th Annual Conference on Genetic and Evolutionary Computation

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Evolutionary Pointillist Modules: Evolving Assemblages of 3D Objects

Cited by 3 publications

References 7 publications

Evolving assemblages

Evolving assemblages

Mixed Media in Evolutionary Art

Photogrowth

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