2016
DOI: 10.1037/ebs0000057
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Evil origins: A Darwinian genealogy of the popcultural villain.

Abstract: This article argues that the sciences of mind can inform analyses of narrative characters, including their motives, appearances, and other traits. In particular, it explores the popcultural villain through the lenses of evolutionary and social psychology. Evolutionary psychology supplies a basic blueprint for impactful villains: they are selfish, exploitative, and sadistic. They contravene the prosocial ethos of society. Social psychology embeds this blueprint in the interactions of characters by offering mech… Show more

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Cited by 22 publications
(9 citation statements)
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“…Horror invariably includes an element of evil, channeled via a human, a creature, or a supernatural force, which has the power to change events causing disruption and instability and which must be challenged and defeated (Kjeldgaard-Christiansen, 2016). If this force is not human or supernatural (ghostly, spectral), it is natural – plants, monkeys, ants, leeches, sharks, birds, dogs, bats, rats, bees, fish, earthworms, alligators, spiders, snakes, cockroaches, and dinosaurs have all been employed to create chaos and instability in horror films.…”
Section: What Is “Horror”?mentioning
confidence: 99%
“…Horror invariably includes an element of evil, channeled via a human, a creature, or a supernatural force, which has the power to change events causing disruption and instability and which must be challenged and defeated (Kjeldgaard-Christiansen, 2016). If this force is not human or supernatural (ghostly, spectral), it is natural – plants, monkeys, ants, leeches, sharks, birds, dogs, bats, rats, bees, fish, earthworms, alligators, spiders, snakes, cockroaches, and dinosaurs have all been employed to create chaos and instability in horror films.…”
Section: What Is “Horror”?mentioning
confidence: 99%
“…Nairne (2014) has argued otherwise, suggesting that self-preservation should motivate stronger encoding across a variety of scenarios, including those that are less likely to have been encountered by our ancestors (e.g., in space, as used by Kostic, McFarlan, & Cleary, 2012). Truly, considering a zombie’s methods encourages thoughts of fear and disgust, which are known to be quite salient in memory (e.g., Bell & Buchner, 2010; Chapman, Johannes, Poppenk, Moscovitch, & Anderson, 2013) and can induce feelings of dehumanization and immorality (Kjeldgaard-Christiansen, 2016). The fear of contamination via parasites and diseases also has a powerful effect on mate selection and how we behave in social situations (Prokop, Fančovičová, & Fedor, 2010; Schaller, 2006).…”
mentioning
confidence: 99%
“…This choice of motif is no accident and no arbitrary cinematic convention. As researchers in moral psychology have demonstrated, people tend to run together concepts of physical and moral beauty and ugliness (Kjeldgaard-Christiansen, 2016; Tsukiura & Cabeza, 2011). Regan’s turning nasty in a moral as well as a physical sense—with her physical transformation being symptomatic of her inner state—is intuitively compelling.…”
Section: A Case Of Possession Horror: the Exorcist (Blatty And Friedk...mentioning
confidence: 99%