Abstract:We live in an increasingly drone-saturated world. In this article, we bring drone scholarship and feminist geopolitics into dialogue to interrogate the drone-home. We re-orient military- and state-led accounts, foregrounding the growing range of non-state actors enacting and subject to the drone as it is increasingly employed in the Global North. In so doing, we develop the concept of ‘everyday droning’ as the honing and homing of military technology and drone capitalism. Examining militarization and enclosure… Show more
“…Beyond household devices, feminist geographers also focus on other digital technologies that introduce new forms of control and surveillance in the home. With the concept of 'everyday droning', Jackman and Brickell (2022) push the boundaries of geopolitical accounts of the drone to include the banal militarisation and capitalist enclosure of homes and everyday domestic experiences via drone technologies. In her recent work on how the COVID-19 crisis was managed in India, Ayona Datta (2020) explores new modes of intimate surveillance that comprise the selfies quarantined persons took in their homes.…”
Technologies are at the heart of geographic analysis. More-than-human geographies, actor-network theory, and new materialism have all called for attending to technological infrastructures and artefacts. This attention is directed mainly towards large-scale technologies. What often escapes geographies of technoscience are small, mundane, and unspectacular technologies. Bringing into conversation work from feminist technoscience and feminist geographies, we broaden the understanding of technology in geographies of technoscience by developing the concept of intimate technologies. By exploring three sites that lie at the centre of feminist technoscience – the home, the laboratory, and the clinic – we carve out the spatial politics of intimate technologies.
“…Beyond household devices, feminist geographers also focus on other digital technologies that introduce new forms of control and surveillance in the home. With the concept of 'everyday droning', Jackman and Brickell (2022) push the boundaries of geopolitical accounts of the drone to include the banal militarisation and capitalist enclosure of homes and everyday domestic experiences via drone technologies. In her recent work on how the COVID-19 crisis was managed in India, Ayona Datta (2020) explores new modes of intimate surveillance that comprise the selfies quarantined persons took in their homes.…”
Technologies are at the heart of geographic analysis. More-than-human geographies, actor-network theory, and new materialism have all called for attending to technological infrastructures and artefacts. This attention is directed mainly towards large-scale technologies. What often escapes geographies of technoscience are small, mundane, and unspectacular technologies. Bringing into conversation work from feminist technoscience and feminist geographies, we broaden the understanding of technology in geographies of technoscience by developing the concept of intimate technologies. By exploring three sites that lie at the centre of feminist technoscience – the home, the laboratory, and the clinic – we carve out the spatial politics of intimate technologies.
“…In thinking further with this reciprocity, one that recognises the multiple agencies at play and the afterlife of the victim's body, so too might we engage feminist work reminding us of the value of diversifying both the actors and relations at the centre of our accounts of geopolitical worlds, relations and volumes alike (Jackman & Brickell, 2022). Feminist geopolitics is instructive in foregrounding both the scale of the body and the site of the everyday.…”
Section: Snapshot: Drone Sensing For Signs Of Deathmentioning
confidence: 99%
“…It continues to be asserted that we have entered a ‘drone age’ (Coley & Lockwood, 2016). Following the cementing of a now established literature on the ‘dronification’ of contemporary warfare (see, for example, Gregory, 2011; Parks & Kaplan, 2017; Williams, 2011), growing attention is paid to the more‐than‐military drone as it is ‘domesticated’ in increasingly varied contexts, spanning civil, commercial and recreational applications (see, for example, Crampton, 2016; Jackman, 2022; Jackman & Brickell, 2022; Kaplan & Miller, 2019; Klauser, 2022, 2022a; Klauser & Pedrozo, 2015, 2017). While scholars have critically traced the ‘ascendancy’ of the ‘good drone’ (Jumbert & Sandvik, 2017, p. 1), so too is further attention urged to the ‘complex ways in which civilian life is lived with, through and against the drone’ (Bradley & Cerella, 2019).…”
“…Klauser (2022, p. 148) continues that police drones enact an ‘aerial geopolitics of security’ that relies upon and exerts power in ‘three‐dimensional ways’. Klauser's (2022) account underscores the utility of both empirically driven drone scholarship and that attentive to the ‘complex voluminosities’ of ‘mundane micro‐spaces’ which can be transformed by volumetric technologies (see also Jackman & Brickell, 2022).…”
“…In recognition that the ‘production’ of volumetric ‘knowledge’ is never simply or solely about just the waging of war or claiming of resources (Marston & Himley, 2021, p. 3), scholars have urged both the consideration of a ‘more diverse array’ of volumetric projects and practices (Harris, 2015, p. 602; see also Pérez & Zurita, 2020), and attention to more ‘everyday’ accounts of volume (Jackman & Squire, 2021). These impulses are echoed in drone scholarship through calls for greater attention to the ‘growing range of non‐state actors multiply mobilising, experiencing, and subject to the drone’ (Jackman & Brickell, 2022, p. 157), and for the formation of a ‘specifically domestic drone theory’ (Bradley & Cerella, 2019) recognising drones as ‘aero‐visual techniques of power’ (Klauser & Pedrozo, 2015, p. 290) that can at once enact and subvert ‘visibilities of control’ (Zuev & Bratchford, 2020, p. 442).…”
We are in the midst of a global turn to the drone. Following their establishment as icons of contemporary warfare, drones are increasingly deployed in a range of more‐than‐military applications. Interrogating this diverse ecosystem of platforms, scholars have examined the ways in which drones see, sense and manoeuvre, asserting that they enable distinct perspectives and the rendering visible of expanded and extended sensory terrains. In parallel, scholars from across and beyond the social sciences are increasingly mobilising the concept of volume to (re)consider conceptions of space in three‐, rather than two‐dimensional terms, with complex heights and depths. Thinking at the intersection of these discussions has explored drones as at once acting in, enacting, capturing and comprising volume. This paper extends these discussions by foregrounding drone sensing volumes and the diverse visualities, practices and relations they compose and comprise. Through the lens of drone sensing volumes in the context of emergency—and specifically through the snapshot example of sensing for signs of death following a homicide—the paper understands the sensor‐laden drone as a volumetric project both demonstrative of diverse sensing sensibilities and prompting a thinking otherwise of volume. While existing scholarship importantly attends to the conflict, control and calculative dimensions of volume, this paper mobilises the snapshot of drone sensing as an invitation for further attention to diverse forms of techno‐instrumentalisation, and the accommodation of more diverse drone sensing sensibilities that seek to resolve, rather than to perpetrate, volumetric violence.
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