1982
DOI: 10.1002/j.2162-6057.1982.tb00342.x
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Evaluation of Some of the Effects Of a Teen Drama Program on Creativity

Abstract: Program ranged in age from 13 to 17; 40 percent of the sub-

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Cited by 2 publications
(2 citation statements)
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“…This includes dramatic techniques and strategies integrated into school curricula such as drama-based pedagogies (Dawson & Lee, 2018; Lee et al, 2020) and improvisational exercises in higher and professional education (Berk & Trieber, 2009). Drama-based pedagogies such as storytelling and improvisation have been linked to higher scores on classical tests of creative thinking, such as the Torrance Test of Creative Thinking, in populations from preschool to high school (Berretta & Privette, 1990; Clements et al, 1983; Garaigordobil, 2006; Hainselin et al, 2018; Hui & Lau, 2006; Lin, 2010; Yeh & Li, 2008). Empirical studies on improvisational theater (where all material is created in the moment; Sawyer, 2014) have also shown participants gain in divergent thinking (Felsman et al, 2020; Lewis & Lovatt, 2013; Sowden et al, 2015), but most of these findings are focused on skill transfer, rather than the application of creativity within the theatrical practice.…”
Section: The 21st Century Skillsmentioning
confidence: 99%
“…This includes dramatic techniques and strategies integrated into school curricula such as drama-based pedagogies (Dawson & Lee, 2018; Lee et al, 2020) and improvisational exercises in higher and professional education (Berk & Trieber, 2009). Drama-based pedagogies such as storytelling and improvisation have been linked to higher scores on classical tests of creative thinking, such as the Torrance Test of Creative Thinking, in populations from preschool to high school (Berretta & Privette, 1990; Clements et al, 1983; Garaigordobil, 2006; Hainselin et al, 2018; Hui & Lau, 2006; Lin, 2010; Yeh & Li, 2008). Empirical studies on improvisational theater (where all material is created in the moment; Sawyer, 2014) have also shown participants gain in divergent thinking (Felsman et al, 2020; Lewis & Lovatt, 2013; Sowden et al, 2015), but most of these findings are focused on skill transfer, rather than the application of creativity within the theatrical practice.…”
Section: The 21st Century Skillsmentioning
confidence: 99%
“…Ten years later, Clements et al (1982) conducted a study on 37 adolescents between 13 and 17 years old in order to evaluate the effects of a DPT program on creativity. Adolescents’ creative thinking was measured through the TTCT Demonstrator (Torrance, 1979) and a seven point rating scale was created by two judges in order to measure talent and experience in drama.…”
Section: Drama Pedagogy Training (Dpt)mentioning
confidence: 99%