1994
DOI: 10.1159/000266288
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Evaluation of Dysphonia in a Children’s Choir

Abstract: This study isolates the voice problems of 99 (40 male, 59 female) children choir singers (age range: 8–14), by applying and validating a simple method for classifying the singing voice. The prevalence of dysphonia was 20.2%. A singing range of fewer than 18 semitones is considered to suggest dysphonia (sensitivity of 80% and specificity of 95%). The validity of the method and its ease of application are discussed. We conclude that voice classification is necessary for all children who sing and that phoniatric … Show more

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Cited by 20 publications
(9 citation statements)
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“…31,[35][36][37][38] The lack of consistency across different studies in diagnoses, study group characteristics, or definitions of voice disorders might explain the wide ranges (6% to 38%) reported in some studies. 11,39,40 The prevalence of dysphonia in our study was 11.2%, which varied significantly with the results of Carding et al (6%) 39 and Bonet and Casan (20.2%) 41 but corresponded well with the results of Tavares et al (11.4%). 25 In our research, the most frequent pathologic finding of the vocal folds was MTD (prevalence of 12.8%).…”
Section: Discussionsupporting
confidence: 90%
“…31,[35][36][37][38] The lack of consistency across different studies in diagnoses, study group characteristics, or definitions of voice disorders might explain the wide ranges (6% to 38%) reported in some studies. 11,39,40 The prevalence of dysphonia in our study was 11.2%, which varied significantly with the results of Carding et al (6%) 39 and Bonet and Casan (20.2%) 41 but corresponded well with the results of Tavares et al (11.4%). 25 In our research, the most frequent pathologic finding of the vocal folds was MTD (prevalence of 12.8%).…”
Section: Discussionsupporting
confidence: 90%
“…6 Bonet and Casan proposed perceptual screening for dysphonia as a means of identifying a population (child choristers) at risk of vocal pathology. 7 Perceptual analysis remains an important feature of vocal assessment, both in research and clinical practice, and is endorsed by some as a necessary counterpart to other measures of voice, such as acoustic analysis. 8 -13 However, there continues to be an issue regarding variability in listener perception in relation to normal and pathological voices.…”
Section: Introductionmentioning
confidence: 99%
“…As an example, singing can perform an emotionally expressive function (Baars & Gabrielsson, 1997;Baroni et al, 1997). Therefore, it may help a speech or voice disorder sufferer to release negative emotions potentially causing one's voice to be distorted (Bonet & Cason, 1993;Welch, 2005). More specifically, a child may find it stressful to speak when (s)he has a tendency to stutter, subsequently creating emotional blocks.…”
Section: S I N G I N G a N D I T S P S Y C H O L O G I C A L I M P A C Tmentioning
confidence: 99%