Eurydice Reclaimed: Language, Gender, and Voice in Henry James

Gabler-Hover, Janet; Boren, Lynda S.

doi:10.2307/3200161

South Atlantic Review

1991

DOI: 10.2307/3200161

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Eurydice Reclaimed: Language, Gender, and Voice in Henry James

Janet Gabler-Hover¹,

Lynda S. Boren²

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Cited by 7 publications

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Henry James Goes to the Opera

Halliwell

2017

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Henry James uses operatic scenes and performance throughout his fiction, from early novels such as The American and The Portrait of a Lady, to later stories including "A London Life," "Collaboration," and "The Velvet Glove. " Embedded in many of these works is a fascination with the operatic prima donna as part of a strong performative element.Key words: Opera, opera box, performance, the gaze, The American, The Portrait of a Lady, Henry James Henry James idzie do opery Streszczenie: Opera pojawia się zarówno we wczesnych powieściach Henry'ego Jamesa, takich jak Amerykanin i Portret damy, jak i w opowiadaniach pochodzących z późniejszego okresu jego twór-czości, na przykład w A London Life, Collaboration i The Velvet Glove. James traktuje operę, szczegól-nie zaś lożę operową, jako znaczące miejsce spotkań, a także jako motyw literacki. W Jamesowskich utworach można również zauważyć szczególną fascynację postacią primadonny.Słowa kluczowe: Opera, loża, spektakl, spojrzenie, Amerykanin, Portret damy, Henry James * Studied literature and music in Johannesburg and London. He sang over fifty major operatic roles throughout Europe, and combines a performing and academic career and is on the staff of the University of Sydney. He has published widely on literature and music: his books include Opera and the Novel: The Case of Henry James

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Henry James Goes to the Opera

Halliwell

2017

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Saying “Nothing” and Meaning “Everything” in The Golden Bowl

Campbell¹

2011

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When Clothes Don’t Make the Man: Sartorial Style, Conspicuous Consumption, and Class Passing in Lothar Meggendorfer’s Scenes in the Life of a Masher

Abate¹

2012

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Abst ractThis e s s ay e xamine s Lothar Me g g e ndorfe r's once we ll-known pull-the -tab book Scenes in the Life of a Masher as a re ve aling e xample of the tre me ndous s ocial anxie ty s urrounding the inte rplay of cons picuous cons umption, s artorial s tyle , and the s ocial cons truction of mas culinity as the nine te e nth ce ntury dre w to a When Clothes Don't Make the Man: Sartorial Style, Conspicuous Consumption, and Class Passing in Lothar Meggendorfer's Scenes in the Life of a Masher. clos e . The 189 4 te xt provide s a rare g limps e in a book for young re ade rs of the impact that cons ume r capitalis m had not s imply on the e xpe cte d is s ue s of s ocial s tanding and clas s mobility but on the le s s e xpe cte d one of male g e nde r role s . In s o doing , the move able toy book re cords an important paradig m s hi in the his tory of white We s te rn mas culinity, its re lations hip to re tail comme rcialis m, and its production of me n's s artorial s tyle ABOUTPublishers Discovery Part ners Access options available: HTML Download PDF Share Social Media Recommend Project MUSE MissionProject MUSE promot es t he creat ion and disseminat ion of essent ial humanit ies and social science resources t hrough collaborat ion wit h libraries, publishers, and scholars worldwide. Forged from a part nership bet ween a universit y press and a library, Project MUSE is a t rust ed part of t he academic and scholarly communit y it serves.

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Eurydice Reclaimed: Language, Gender, and Voice in Henry James

Cited by 7 publications

References 0 publications

Henry James Goes to the Opera

Henry James Goes to the Opera

Saying “Nothing” and Meaning “Everything” in The Golden Bowl

When Clothes Don’t Make the Man: Sartorial Style, Conspicuous Consumption, and Class Passing in Lothar Meggendorfer’s Scenes in the Life of a Masher

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