The Cambridge Companion to Lacan 2003
DOI: 10.1017/ccol0521807441.010
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Ethics and tragedy in Lacan

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Cited by 18 publications
(35 citation statements)
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“…Zupančič introduces the idea of the sublime to highlight this trap. 36 Sublime, for Zupančič, is a feeling which combines our insignificance 'as far as the whole of the universe is concerned' and the fact that what functions at the centre of 'our ordinary life suddenly strikes us as trivial and unimportant'. 37 It is the experience whereby one watches the most horrific disaster from a position of safety and experiencing 'narcissistic satisfaction that emerges with the feeling of the sublime'.…”
Section: Anxiety In Times Of the Pandemicmentioning
confidence: 99%
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“…Zupančič introduces the idea of the sublime to highlight this trap. 36 Sublime, for Zupančič, is a feeling which combines our insignificance 'as far as the whole of the universe is concerned' and the fact that what functions at the centre of 'our ordinary life suddenly strikes us as trivial and unimportant'. 37 It is the experience whereby one watches the most horrific disaster from a position of safety and experiencing 'narcissistic satisfaction that emerges with the feeling of the sublime'.…”
Section: Anxiety In Times Of the Pandemicmentioning
confidence: 99%
“…36 Sublime, for Zupančič, is a feeling which combines our insignificance 'as far as the whole of the universe is concerned' and the fact that what functions at the centre of 'our ordinary life suddenly strikes us as trivial and unimportant'. 37 It is the experience whereby one watches the most horrific disaster from a position of safety and experiencing 'narcissistic satisfaction that emerges with the feeling of the sublime'. 38 The subject observes a disaster from a position of detachment (alienation) and converts a feeling of anxiety into a certain gain (a pleasure).…”
Section: Anxiety In Times Of the Pandemicmentioning
confidence: 99%
“…But, if all my energies are consumed by the rigours of the production-consumption cycle that is driven by global capital then an increase in enstrangement is its issue (Arendt, 1958and 1988, see also Conroy, 2003. And this is precisely because the attempt to guarantee the bourgeois dream of linking individual comfort with the acquisition of goods and services (and not just in Lacanian terms [see Supančič, 2003]) is doomed. And it is doomed, as Augustine recognised long before Lacan, because the attempt to heal the split between the signifying order and the Real is always doomed to frustration.…”
Section: Downloaded By [Erciyes University] At 20:38 04 January 2015mentioning
confidence: 99%
“…Producing the object of desire means making an object out of the infinite measure that is at work in desire in the form of lack or void." 27 However, since the object of desire is "in(de)finite, [its] potential can only be realized (constituted as an accomplished, 'whole' entity) as lost, that is, cast in the negative form." 28 In Lacan's work, the example of an object being forged from the object cause of desire is found in a work of art, in the character Antigone in Sophocles' eponymous play.…”
mentioning
confidence: 99%
“…In Steinberg's strongly Kierkergaardian interpretation, Don Giovanni confronts the representational authority of the Baroque "with the energies of dissolution and movement, with those qualities of transience, flux, and contingency (le transitoire, le fugitif, et le contingent) that for Baudelaire formed the defining principles of modernity." 30 (27) In Lacanian terms, Don Giovanni has exchanged the endless failure of attaining a stable identity for himself with the intense jouissance produced from the movement of desire itself. Don Giovanni, like Antigone, does not just say "No!"…”
mentioning
confidence: 99%