Ethics and Aesthetics in Nuri Bilge Ceylan’s Cinema

Abstract

This paper examines the relationship between ethics and aesthetics in Nuri Bilge Ceylan's cinema, exploring how his films intertwine moral considerations with aesthetic expression. Focusing on themes such as identity, belonging, and displacement, Ceylan's work reflects societal issues without any direct political commentary, emphasizing ethical questions. His distinctive approach, characterized by a slow pace, sparse dialogue, and extended shots, invites audiences into moral explorations. Ceylan's films stand out as profound ethical inquiries, challenging viewers to engage with the moral nuances of everyday life and reflect on their own values. This study explores the relationship of ethics and aesthetics in Nuri Bilge Ceylan's films through Nicolai Hartmann’s new ontology and the anthropological approach. It examines how ethical considerations shape and enhance the visual narrative in Ceylan's work, focusing on content and form relation.