2019
DOI: 10.1177/0027432118815153
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Equity in Music Education: The Music We Speak: Language and Power in the Urban Music Classroom

Abstract: Creating inclusivespaces begins with exploring our students' ways of knowing and doing music.

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Cited by 6 publications
(2 citation statements)
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“…This research significantly contributes to our understanding of the historical role of language in shaping social hierarchies and power relations. Lewis, J. (2019).…”
Section: Language and Powermentioning
confidence: 99%
“…This research significantly contributes to our understanding of the historical role of language in shaping social hierarchies and power relations. Lewis, J. (2019).…”
Section: Language and Powermentioning
confidence: 99%
“…Even as educators examine their own positions of power and privilege in the classroom, 9 we must also recognize that these efforts in "diversity work" 10 are often forms of unpaid labor that fall on the shoulders of educators who may also be marginalized by educational institutions and cultural norms. As educators intervene on the normative language of the classical tradition, 11 or look for alternatives to Eurocentric histories, 12 or strive to offer student-centered and co-created curricula, 13 what makes these critical interventions especially difficult is that they often still operate within and are constrained by normative curricular expectations. These expectations can often require teachers, implicitly or explicitly, to enforce particular sound-making practices, encourage Western "talent regimes" and performance ideals, 14 and take for granted the technical and aesthetic aims that privilege particular bodies and identities, ultimately recreating a process through which students may disqualify themselves, "choose" not to participate, or come to perceive themselves as not "good enough."…”
Section: Critical Engagementsmentioning
confidence: 99%