2004
DOI: 10.1177/1468794104047232
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Epiphanies of embodiment: injury, identity and the balletic body

Abstract: Our ethnography of the balletic body is a contribution to the relatively small corpus of empirical research studies on embodiment in general and on dance as a social practice in particular. In contrast, much of the literature on the sociology of the body is characterized by its theoretical discussion of the nature of the body. We draw upon our fieldwork at the Royal Ballet (London) where we conducted 20 in-depth interviews with ballet staff, and where we also watched ‘the company at work’(in class, rehearsal a… Show more

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Cited by 90 publications
(59 citation statements)
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“…As Wainwright and Turner (2004a), Chandler (2012) and Almeida and Flores-Pereira (2013) have taken dance as a useful heurism to study work from a practical and embodied perspective, we assumed that the concept of mastery could be particularly useful to guide studies on transformation processes of the body. As cognition that emerges from practice in a polished, sophisticated and beautiful way, mastery highlights not only embodied processes, but also the social organization of knowledge entangled through practice and the singular configuration of factors that help build work identities.…”
Section: Resultsmentioning
confidence: 99%
See 2 more Smart Citations
“…As Wainwright and Turner (2004a), Chandler (2012) and Almeida and Flores-Pereira (2013) have taken dance as a useful heurism to study work from a practical and embodied perspective, we assumed that the concept of mastery could be particularly useful to guide studies on transformation processes of the body. As cognition that emerges from practice in a polished, sophisticated and beautiful way, mastery highlights not only embodied processes, but also the social organization of knowledge entangled through practice and the singular configuration of factors that help build work identities.…”
Section: Resultsmentioning
confidence: 99%
“…In the data analysis, the authors reach conclusions that approach the previous findings of another ethnography of the body, conducted in the cultural field of professional ballet by Wainwright and Turner (2004a), for enabling the understanding of the balletic body as a series of cultural practices. In methodological terms, Wainwright and Turner (2004a) use ethnography to challenge the disembodied literatures on dance, specifically on ballet, that tend to adopt a post-modern reading of dance as text (Adshead-Lansdale, 1999;Desmond, 1997;Goellner & Murphy, 1995;Wainwright & Turner, 2004b). In theoretical terms, the authors assert that ballet is a social practice whose embodiment's process is related to distinctions in the ballet habitus that unfolds in three dimensions: an individual one, an institutional one and a choreographic one.…”
Section: Methodsological Issues In the Study Of Embodied Knowledgementioning
confidence: 99%
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“…There is, moreover, an anthropology of such embodied performing arts as ballet and other dance forms (Wulff, 1998a(Wulff, , 1998b(Wulff, , 2000Buckland, 1999, Wainwright & Turner, 2004, or the body-performative texts of manners and gender (Foster, 2000). One can also mention in this context Hilgartner's pioneering study of the performative work of expert advice in scientific discourse (Hilgartner, 2000), which opens up a series of fascinating possibilities in science and technology studies.…”
Section: Work and Cultural Mediationmentioning
confidence: 99%
“…In gerontology, perhaps the most notable wellaligned trend with regards to practice and performance is that of scholars drawing on insights from the sociology of sport and applying them to the study of older bodies and older athletes (Wainwright et al, 2004;Tulle, 2008;Phoenix et al, 2009). In this field of study, researchers focus on the relationship between older bodies and cultural discourses such as decline, and the management, reconstruction, or reconfiguration of older bodies (Tulle, 2008;Wahidin, 2002).…”
Section: Facets Of Non-representational Theory: Substantive Foci 22mentioning
confidence: 99%