‘Envisioning the Past: Art, Historiography and Public History’

Harvey, K. L.

doi:10.1080/14780038.2015.1088257

Cited by 6 publications

(1 citation statement)

References 9 publications

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“…The role of art and history might play together in public history projects. Public history projects like series of exhibitions and researches themed around the history, arts and culture displayed in the public sphere explores the value of expressive power of understanding the past, the present, and possibly the future (Harvey, 2015). Since researching the Tri-People involved visiting the cultural communities, digging deeper, interviewing the tribal leaders, and researching the primary sources in order to gather the data, the cultural workers of Tagum City eventually experienced difficulty and felt pressured in gathering the data to produce the Kagikan Book.…”

Section: Experiences Of the Cultural Workers Inmentioning

confidence: 99%

Establishing the Tagum City Kagikan Museum: The Lived Experiences of Cultural Workers

Madulara¹

2022

IJRP

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Museum plays an important role in conserving and protecting the heritage of the city. This phenomenological study traces in the Tagum City's Kagikan Museum on its establishment, how they preserve the cultural artifacts and historical remnants as well as explore the experiences of the cultural workers. The seven participants were divided into in-depth interviews and focus group discussion following the safety protocols and health standards of gathering the data. The Kagikan Museum had an early cultural showcase of Tagum City prior to its formal establishment in which the cultural workers participated in yearly exhibit of history and culture of the city and conducted research project about its kagikan. Carefully planned by the Local Government Unit of Tagum with the big help of the cultural workers then formally built of the Cultural Center and already open to serve its purpose in the city. The experiences of the cultural workers varied where they felt mixed emotion with the idea of cultural exhibit, excited in planning the Kagikan Museum; and experienced struggles in the implementation and operation of the Kagikan Museum. On the other hand, the cultural workers shared the ways of preserving and protecting the historical remnants in the Kagikan Museum such as doing periodic inventory and maintenance; following the traditional method of preserving the cultural artifacts; and valuing the importance of the past, present, and future artifacts. Under each category are specific methods of cultural workers.

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Section: Experiences Of the Cultural Workers Inmentioning

confidence: 99%

Establishing the Tagum City Kagikan Museum: The Lived Experiences of Cultural Workers

Madulara¹

2022

IJRP

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Adventures in Digital and Public Humanities: Co-Producing Trans History Through Creative Collaboration

Barker¹,

Fisher

Funke

et al. 2022

The Palgrave Handbook of Digital and Public Humanities

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“It Has Made Me Think”: Engaging the Public with the History of Health in the Modern Irish Prison

Cox

Wall

2022

J Med Humanit

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Since the establishment of the modern prison system in the early nineteenth century, prisons and prisoners have been construed as sites of moral, social, and biological contagion. Historic and contemporary studies show that most prisoners experience severe health inequalities, higher rates of addiction and mental health issues, and lower life expectancy than the rest of the population. They also come from deprived social strata. Yet, these aspects of Irish penal history have been largely neglected in academia and popular histories. Our article discusses two public history projects—an art installation, The Trial, and a museum exhibition, Living Inside—that engaged different publics with the long history of health and welfare in Irish prisons. Developed by the research team on the Wellcome Trust Investigator Award “Prisoners, Medical Care and Entitlement to Health in England and Ireland, 1850-2000,” based at University College Dublin, the projects adopted different methodologies to engage their audiences and explore the experience and management of health and welfare in nineteenth- and twentieth-century Irish prisons. We further examine the different methodological approaches of each project, their varied aims and audiences, and the impacts reported by audiences and participants. The article also considers some of the challenges of doing this kind of public history, both in terms of working with marginalized communities and presenting research about difficult subjects to various audiences.

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‘Envisioning the Past: Art, Historiography and Public History’

Cited by 6 publications

References 9 publications

Establishing the Tagum City Kagikan Museum: The Lived Experiences of Cultural Workers

Establishing the Tagum City Kagikan Museum: The Lived Experiences of Cultural Workers

Adventures in Digital and Public Humanities: Co-Producing Trans History Through Creative Collaboration

“It Has Made Me Think”: Engaging the Public with the History of Health in the Modern Irish Prison

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