2012
DOI: 10.5465/ambpp.2012.111
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Entrepreneurial Stewardship and Implicit CSR: The Responsible Leadership of Lillian Shedd McMurry

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Cited by 5 publications
(12 citation statements)
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“…Researchers in the field of EM have suggested that qualitative case studies are an acceptable methodological approach for this underdeveloped concept (Hills and Hultman, 2011). We initiated our study by examining the background material presented in Ryan's (2004) biography of Lillian McMurry, Trumpet Records: Diamonds on Farish Street, as well as recent articles about this accomplished entrepreneurial leader (Humphreys et al, 2011;Humphreys et al, 2013). Next, we explored the primary data available in the Trumpet Records/Lillian Shedd McMurry Collection, housed at the J.D.…”
Section: Assumptions Of Logic and Historical Methodsmentioning
confidence: 99%
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“…Researchers in the field of EM have suggested that qualitative case studies are an acceptable methodological approach for this underdeveloped concept (Hills and Hultman, 2011). We initiated our study by examining the background material presented in Ryan's (2004) biography of Lillian McMurry, Trumpet Records: Diamonds on Farish Street, as well as recent articles about this accomplished entrepreneurial leader (Humphreys et al, 2011;Humphreys et al, 2013). Next, we explored the primary data available in the Trumpet Records/Lillian Shedd McMurry Collection, housed at the J.D.…”
Section: Assumptions Of Logic and Historical Methodsmentioning
confidence: 99%
“…He was the owner of a furniture store in Jackson, Mississippi, and it was in one of Willard's furniture outlets where Lillian first heard a record by an African-American artist (Ryan, 2004). She was 28 years old at the time and she was inspired (Humphreys et al, 2013). Prior to the 1950s, the record industry generally only produced music to appeal to the white middle-class population; however, Lillian McMurry became determined to change the industry, helping to bring music performed by previously ignored ethnic groups to any and all audiences, regardless of race (Escott and Hawkins, 1980).…”
Section: Lillian Shedd Mcmurry and Trumpet Recordsmentioning
confidence: 99%
“…However, Ms McMurry also demonstrated exceptional moral integrity, which magnified her perceived personal commitments to her artists (Humphreys et al, 2013). Moreover, whereas some (Audi and Murphy, 2006) would consider integrity as adjunctive virtue (i.e.…”
Section: Historic Case Of Trumpet Recordsmentioning
confidence: 99%
“…Third, Lillian McMurry, a white woman and avid reader, found success in the music industry by gaining the trust of African-American artistes whom she recorded in the studios of the segregated South. Overcoming any one of these barriers reaches the level of exceptional (Humphreys et al, 2013).…”
Section: Background Information About Lillian Shedd Mcmurrymentioning
confidence: 99%
“…In addition, extending our understanding of paternalistic leadership to include a softer form also has practical implications, as the potential beneficial outcomes of more munificent forms of paternalistic leadership are beginning to emerge (see Humphreys et al, 2013). For example, Pellegrini et al (2010) discussed paternalism as an “essential element of effective management” (p. 410) and provided evidence that benevolent paternalistic leadership positively affected organizational commitment.…”
Section: Contributions Limitations Implications and Future Researchmentioning
confidence: 99%