Entertainment, Chinese Culture, and Late Colonialism in Hong Kong
Allan T. F. Pang
Abstract:This article argues that the late colonial government of Hong Kong shaped and reconstructed Chinese performances and festivities to secure public support, creating Chinese culture that was sui generis and historically produced. The disturbances of the 1960s prompted local officials to improve state–society communication and legitimize their rule. They utilized Hong Kong people's identification with Chinese culture to formulate their policies. Focusing on the Festival of Hong Kong, carnivals, Chinese opera show… Show more
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