2022
DOI: 10.1080/14725843.2022.2114872
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Entangled memories: Nehanda statue, Gukurahundi plaques and the politics of memory in Zimbabwe

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Cited by 4 publications
(1 citation statement)
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“…Research that maps places and spatiality into identities of citizens and vice versa is negligible within the Zimbabwean landscape. Much of the extant research has dedicated vast energy to engaging: music and conflict (Muhwati, Charamba and Tembo 2018); music and hegemony (Dhlamini 2017;Ncube and Siziba 2017); music and protest (Chiweshe and Bhatasara 2013;Kufakurinani, Nyakudya and Chinouriri 2017); music and Gukurahundi (Maedza 2017;Ndlovu 2018); and popular songs in Zimbabwe's colonial, liberation and post-independence periods (Musiyiwa 2013;Vambe 2000). Makwenda (2005) comes closest to what we envisage to undertake through the current study in how she documents township music and examines how it has contributed to post-independence Zimbabwean cultural identities.…”
Section: Introductionmentioning
confidence: 99%
“…Research that maps places and spatiality into identities of citizens and vice versa is negligible within the Zimbabwean landscape. Much of the extant research has dedicated vast energy to engaging: music and conflict (Muhwati, Charamba and Tembo 2018); music and hegemony (Dhlamini 2017;Ncube and Siziba 2017); music and protest (Chiweshe and Bhatasara 2013;Kufakurinani, Nyakudya and Chinouriri 2017); music and Gukurahundi (Maedza 2017;Ndlovu 2018); and popular songs in Zimbabwe's colonial, liberation and post-independence periods (Musiyiwa 2013;Vambe 2000). Makwenda (2005) comes closest to what we envisage to undertake through the current study in how she documents township music and examines how it has contributed to post-independence Zimbabwean cultural identities.…”
Section: Introductionmentioning
confidence: 99%