2021
DOI: 10.1177/1359183521994876
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Enregistering cuteness of fashion clothes on Chinese social media

Kunming Li

Abstract: In the context of cute material culture, this article focuses on the production of valorized cute aesthetic in fashion clothes being sold on Chinese social media. Through corpus-enlightened empirical case studies, the article demonstrates how the baby-talk register converges with the material design and embodiment of clothes to synergically affect the cute materiality of the clothes at issue. With special attention paid to discursive practices of enregisterment, the study tries to recalibrate the existing bias… Show more

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Cited by 5 publications
(4 citation statements)
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References 39 publications
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“…A cuteness taxonomy developed by Marcus et al (2017) includes the following elements of cuteness: media (e.g., emojis, emoticons), appearances (e.g., colors, shapes, anthropomorphism), sounds (e.g., high-pitched, babylike), language (e.g., specific vocabulary), and behavior (e.g., gestures or posture that make the entity be perceived as cute). One additional linguistic attribute of cuteness is the frequent use of diminutives in the online contexts, e.g., in Chinese social media (Li, 2021). While several emotional content annotation guides exist, most focus on a small set of 6-9 emotions, and to our knowledge, none cover cuteness or kama muta (see Bostan and Klinger, 2018 for a review) with the exception of the Social Media Emotions Annotation Guide (SMEmo Guide) 3.32, originally developed as part of an effort to analyze 20+ emotions in social media which includes cute content (Paletz, 2018;Paletz et al, 2020;version 4.0 Paletz et al, 2022; see use in Murauskaite et al, n.d.).…”
Section: Cuteness As a Universal Constructmentioning
confidence: 99%
“…A cuteness taxonomy developed by Marcus et al (2017) includes the following elements of cuteness: media (e.g., emojis, emoticons), appearances (e.g., colors, shapes, anthropomorphism), sounds (e.g., high-pitched, babylike), language (e.g., specific vocabulary), and behavior (e.g., gestures or posture that make the entity be perceived as cute). One additional linguistic attribute of cuteness is the frequent use of diminutives in the online contexts, e.g., in Chinese social media (Li, 2021). While several emotional content annotation guides exist, most focus on a small set of 6-9 emotions, and to our knowledge, none cover cuteness or kama muta (see Bostan and Klinger, 2018 for a review) with the exception of the Social Media Emotions Annotation Guide (SMEmo Guide) 3.32, originally developed as part of an effort to analyze 20+ emotions in social media which includes cute content (Paletz, 2018;Paletz et al, 2020;version 4.0 Paletz et al, 2022; see use in Murauskaite et al, n.d.).…”
Section: Cuteness As a Universal Constructmentioning
confidence: 99%
“…In this manner, the registration enacts a limited social sphere of understanding, manipulating the intended meanings of the fashion clothes in question. This study seeks to recalibrate the biased hermeneutics of cute material culture, which often reduces beautiful apparel to material immediacy and consumerist passivity, by concentrating on reflective and manipulative discursive registration practices [2]. According to Liang, most of the audience's access to information has shifted from conventional to mobile media [3].…”
Section: Literature Reviewmentioning
confidence: 99%
“…The primary distinction between brand marketing and media marketing in the new media landscape is brand marketing. When doing brand marketing, information communication is reciprocal [2][3][4].…”
Section: Literature Reviewmentioning
confidence: 99%
“…Especially in recent years, Chinese clothing and dress pattern design is facing major challenges due to the influence of multiculturalism [8]. In the field of clothing and dress pattern design, there are various contents and styles, so how to effectively carry out the work of clothing and dress pattern design has become a problem that needs to be seriously considered by people in the industry [9]. With the revival and rise of the Chinese style, the reintroduction of traditional patterns into clothing and dress pattern design not only creates great opportunities for the field but also becomes an inevitable trend for the current and future development of clothing and dress pattern design [10].…”
Section: Introductionmentioning
confidence: 99%