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2013
DOI: 10.1017/s0021911813000570
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Enlightenment Geisha: The Sex Trade, Education, and Feminine Ideals in Early Meiji Japan

Abstract: During the mid-1870s, fearing the legal innovations of a “civilized” state, geisha and their employers recast Tokugawa-era practices of civic engagement and educational attainment in the language of enlightenment. Proprietors built schools intended to transform geisha into productive and moral mothers, and geisha donated to local educational institutions and suggested that their own studies would lead to self-sufficiency and freedom. These efforts associated geisha with the values of productivity and enlighten… Show more

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Cited by 8 publications
(7 citation statements)
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References 27 publications
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“…In encountering the captivating subtleties of these women's recorded voices, it is easy to gloss over the fact that much of their musical repertory is steeped in symbolism that idealises floating-world gender relations which seem flatly sexist by modern standards. Neglecting the complexities and contradictions of this historical context serves to obscure the stark history of Japanese sexual exploitation of women (including geisha), both domestically and abroad (Iwasaki, 2002;Masuda, 1957;Matsugu, 2006;Norma, 2016;Stanley, 2012;Stanley, 2013). How these social conditions influenced musical sound is far from straightforward, but the unique vocal qualities found in a popular song by the last geisha kashu (Gōda, 2019a) suggests just how important such considerations can be.…”
Section: Koga Masao and Ryūkōka: Hanamachi Inspirationsmentioning
confidence: 99%
“…In encountering the captivating subtleties of these women's recorded voices, it is easy to gloss over the fact that much of their musical repertory is steeped in symbolism that idealises floating-world gender relations which seem flatly sexist by modern standards. Neglecting the complexities and contradictions of this historical context serves to obscure the stark history of Japanese sexual exploitation of women (including geisha), both domestically and abroad (Iwasaki, 2002;Masuda, 1957;Matsugu, 2006;Norma, 2016;Stanley, 2012;Stanley, 2013). How these social conditions influenced musical sound is far from straightforward, but the unique vocal qualities found in a popular song by the last geisha kashu (Gōda, 2019a) suggests just how important such considerations can be.…”
Section: Koga Masao and Ryūkōka: Hanamachi Inspirationsmentioning
confidence: 99%
“…However, it would be an intrinsic misunderstanding to merely interpret geisha as sexual workers. The "Edict for the Liberation of Geisha and Prostitutes" promulgated in 1872 that categorized geisha as "female entertainers" instead of prostitutes, providing them legal support and freedom of residence (Stanley, 2013). Geishas are known for their beauty and artistic practice.…”
Section: Introductionmentioning
confidence: 99%
“…Geishas are known for their beauty and artistic practice. Instead of selling their bodies, they owned "a minimal level of artistic accomplishment" (Stanley, 2013). Most geishas undergo years of training to become eligible to work at a professional geisha house, including but not limited to practices of shamisen, traditional Japanese dance moves of Mai, and gestures as simple as sitting and standing still.…”
Section: Introductionmentioning
confidence: 99%
“…Well known as a country where small girls were sold by their parents to become Geisha , or 芸者, human trafficking in Japan has a long history, especially as it relates to women (Stanley, 2013). Japan has since become notorious for trafficking women from Asian countries, such as Thailand, Indonesia, and the Philippines, in which human traffickers have enticed women through false promises of better jobs and lives in Japan (Kamino, 2007).…”
Section: Introductionmentioning
confidence: 99%