Abstract:This paper shares insights from integrating strategies for preservation and dissemination into my ephemeral, affective art installations. Fruitful tensions and fundamental questions arising from curating these experiences are discussed in the light of artistic practices, preserving for re-performing and active facilitation of the personal archives of others. Curation is reflected on in the light of practices that were disruptive to the art world, especially: Fluxus and the historical use of visual and auditory… Show more
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