2011
DOI: 10.1162/jocn_a_00088
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Enhanced Passive and Active Processing of Syllables in Musician Children

Abstract: The aim of this study was to examine the influence of musical expertise in 9-year-old children on passive (as reflected by MMN) and active (as reflected by discrimination accuracy) processing of speech sounds. Musician and nonmusician children were presented with a sequence of syllables that included standards and deviants in vowel frequency, vowel duration, and VOT. Both the passive and the active processing of duration and VOT deviants were enhanced in musician compared with nonmusician children. Moreover, a… Show more

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Cited by 106 publications
(106 citation statements)
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References 68 publications
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“…These results are also in line with those reported in children by Chobert et al [54]. Musician children ( i.e.…”
Section: Sound Perception and Production In Native And Foreign Lansupporting
confidence: 93%
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“…These results are also in line with those reported in children by Chobert et al [54]. Musician children ( i.e.…”
Section: Sound Perception and Production In Native And Foreign Lansupporting
confidence: 93%
“…By contrast, the MMNs and RTs recorded from non-musician children were equally sensitive to small and large differences in VOT (MMN and RTs were not significantly different for large and small deviants). In line with previous results by Phillips et al [55] with non-musician adults, this was taken to indicate that non-musician children process all changes (whether large or small) as across-phonemic category changes [54]. …”
Section: Sound Perception and Production In Native And Foreign Lansupporting
confidence: 79%
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“…These transfer effects possibly arise because speech and music are auditory signals relying on similar acoustic cues (i.e., duration, frequency, intensity, and timbre) and because they share, at least in part, common neuronal substrates for auditory perception (Peretz, Vuvan, Lagrois, & Armony, 2015;Jäncke, 2009) and for higher-order cognitive processing (Rogalsky, Rong, Saberi, & Hickok, 2011;Patel, 2008;Maess, Koelsch, Gunter, & Friederici, 2001). For instance, music training facilitates the processing of a variety of segmental (Bidelman, Weiss, Moreno, & Alain, 2014;Kühnis, Elmer, & Jäncke, 2014;Elmer, Meyer, & Jäncke, 2012;Chobert, Marie, François, Schön, & Besson, 2011;Musacchia, Sams, Skoe, & Kraus, 2007) and suprasegmental speech attributes (Marie, Delogu, Lampis, Olivetti Belardinelli, & Besson, 2011;Wong & Perrachione, 2007) within native (Schön, Magne, & Besson, 2004) and nonnative languages (Marques, Moreno, Castro, & Besson, 2007). Moreover, both musically trained children (Jentschke & Koelsch, 2009) and adults (Fitzroy & Sanders, 2013) are more sensitive to violations of linguistic and music syntax than participants without music training.…”
Section: Introductionmentioning
confidence: 99%
“…However, there have been relatively few empirical evaluations of this tenet outside of the laboratory, presenting a roadblock to the development of effective strategies for auditory learning. One domain of attention has come from studies of music training, which has emerged as a potential direction for these efforts thanks to evidence that playing music augments auditory function and that these enhancements carry over to advantages for everyday communication (Gaser and Schlaug, 2003; Peretz and Zatorre, 2005; Magne et al, 2006; Kraus and Chandrasekaran, 2010; Chobert et al, 2011; Patel, 2011; Herholz and Zatorre, 2012; Strait and Kraus, 2014). Music training need not be lifelong to engender lasting improvements in the nervous system (Skoe and Kraus, 2012; White-Schwoch et al, 2013), and there is evidence that school-based programs initiated as late as high school can spark changes in auditory processing (Moreno et al, 2009, 2011; Chobert et al, 2012b; Tierney et al, 2013).…”
Section: Introductionmentioning
confidence: 99%