2018
DOI: 10.3197/096327118x15343388356383
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Engaging the Imagination: ‘New Nature Writing’, Collective Politics and the Environmental Crisis

Abstract: This is a repository copy of Engaging the imagination: 'new nature writing', collective politics and the environmental crisis.

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Cited by 12 publications
(5 citation statements)
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“…In a 2015 article for the New Statesman, for instance, Cocker argued that many British contemporary nature writers only explore the terrain between nature and literature, and do little to explore the axis between culture and nature. Kate Oakley, Jonathan Ward, and Ian Christie (2018), furthermore, are mainly concerned with 'the overwhelmingly male nature of the grouping', but they also fear that this kind of nature writing 'commodifies or instrumentalises the natural environment-particularly as a balm to troubled psyches' (693). Examples of the latter can, for instance, be found in Richard Mabey's Nature Cure (2005), Helen Macdonald's H is for Hawk (2015), or Katharine Norbury's…”
Section: Writing Nonhuman Remembrancementioning
confidence: 99%
“…In a 2015 article for the New Statesman, for instance, Cocker argued that many British contemporary nature writers only explore the terrain between nature and literature, and do little to explore the axis between culture and nature. Kate Oakley, Jonathan Ward, and Ian Christie (2018), furthermore, are mainly concerned with 'the overwhelmingly male nature of the grouping', but they also fear that this kind of nature writing 'commodifies or instrumentalises the natural environment-particularly as a balm to troubled psyches' (693). Examples of the latter can, for instance, be found in Richard Mabey's Nature Cure (2005), Helen Macdonald's H is for Hawk (2015), or Katharine Norbury's…”
Section: Writing Nonhuman Remembrancementioning
confidence: 99%
“…The inspirations are wide-ranging, as detailed in reviews by Cocker (2015), Graham Huggan (2016), Robert Macfarlane (2013), Joe Moran (2014), Kate Oakley et al (2018), Jos Smith (2017) and Phil Smith (2017, 2020; and as Cecile Oak, 2017). Yet the genre is easily recognized, usually written in first person, and unlike those producing ‘“expert knowledges” about natural phenomena’ (Castree, 2005: xvii) in geography and allied disciplines.…”
Section: Mind the Gap: Psychogeography Beyond The Suburbsmentioning
confidence: 99%
“…Through their lens, ecocriticism (the study of the environment in literary works) understated vectors of domination, including gender issues, embedded in the existing modes of environmental theory, praxis and activism (Gaard, 2014;Stevens et al, 2018). For instance, the recent works of the 'New Nature Writers' in the UK have generated mixed reactions, as writers concerned about the global ecological crisis find solace in a creative escape into 'wild' environments, thus avoiding direct confrontations with histories of oppression (Oakley et al, 2018).…”
Section: How Does Environmental Artivism Articulate With Gender?mentioning
confidence: 99%