Abstract:As works which had similarly evoked slave-ship revolt as topics for their prose fictions in the mid-1850s, Douglass’s The Heroic Slave and Melville’s Benito Cereno, Hole’s essay argues, offer noticeably distinct aesthetic, rhetorical, and stylistic presentations of slave rebellion and of conflict itself—that is, conflict as an aesthetic device within narrative as well as the thing being narrated, the manifestation of force between actors aboard the slave ship. Because the enforcement of US law and security by … Show more
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