2019
DOI: 10.1080/00948705.2019.1613159
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Emotional sharing in football audiences

Abstract: The negative aim of this paper is to identify shortcomings in received theories. First, we criticize approaching audiences, and large gatherings more general, in categories revolving around the notion of the crowd. Second, we show how leading paradigms in emotion research restrict research on the socialrelational dynamics of emotions by reducing them to physiological processes like emotional contagion or to cognitive processes like social appraisal. Our positive aim is to offer an alternative proposal for conc… Show more

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Cited by 16 publications
(9 citation statements)
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References 43 publications
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“…Emotional matching might also occur in antagonistic settings. For instance, different fan groups in a sports stadium might have matching emotions that enable them to collectively enjoy the game while having a back and forth of competing chants (Thonhauser & Wetzels, 2019).…”
Section: Emotional Matchingmentioning
confidence: 99%
“…Emotional matching might also occur in antagonistic settings. For instance, different fan groups in a sports stadium might have matching emotions that enable them to collectively enjoy the game while having a back and forth of competing chants (Thonhauser & Wetzels, 2019).…”
Section: Emotional Matchingmentioning
confidence: 99%
“…First, mutual awareness during collective emotion suggests that partaking individuals engage in joint attention. In paradigmatic examples of collective emotion, such as the emotion of audience members watching a sports game (Thonhauser & Wetzels, 2019) or listening to music (Krueger, 2014), individuals exhibit shared or joint attention (Shteynberg, 2018;Siposova & Carpenter, 2019).…”
Section: Mutual Awarenessmentioning
confidence: 99%
“…2014), sports audiences (Thonhauser & Wetzels, 2019), online communities (Holyst, 2017;Garcia & Rimé, 2019) and nations (Bar-Tal et al, 2007;Sullivan, 2018). Furthermore, accounts of collective emotion differ in their theorizing, insisting upon different emotional components, such as emotional appraisal or subjective feeling, and putting forwards various explanations in terms of bottom-up factors, top-down factors or both (see Pacherie, 2017 for a review).…”
mentioning
confidence: 99%
“…22 Neke od njihovih najpoznatijih autorskih pesama su Crno-beli šal, Stoku na jug, Kad jutro svane, Ti si ponos moj, Kop,Skači,igraj,napadaj. 23 Za dalju raspravu o deljenju emocija među navijačima određenih fudbalskih klubova, videti Thonhauser and Wetzels (2019).…”
Section: Laden Stajić I Ivana Gačanović 1004unclassified