2016
DOI: 10.1080/03468755.2016.1179831
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Embroidering women and turning men

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Cited by 3 publications
(2 citation statements)
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“…It must be emphasised that researchers do not ignore material culture in emotion studies (e.g. Richardson 2010; Moran & O'Brien 2014; Dolan & Holloway 2016; Ilmakunnas 2016; Toivo 2016), but archaeologists, regrettably, are not at the forefront. It is historians of emotion who have engaged with objects within a discipline that has generally embraced ‘material culture history’ only in the last decade or so (Gerritsen & Riello 2015: 3).…”
Section: The Archaeology Of Emotionmentioning
confidence: 99%
“…It must be emphasised that researchers do not ignore material culture in emotion studies (e.g. Richardson 2010; Moran & O'Brien 2014; Dolan & Holloway 2016; Ilmakunnas 2016; Toivo 2016), but archaeologists, regrettably, are not at the forefront. It is historians of emotion who have engaged with objects within a discipline that has generally embraced ‘material culture history’ only in the last decade or so (Gerritsen & Riello 2015: 3).…”
Section: The Archaeology Of Emotionmentioning
confidence: 99%
“…However, in terms of financial remuneration, skilled elite women could pursue extra earnings by creating embroideries and other handicrafts for their kin or acquaintances, even though this type of activity was not considered as an occupation. 38 Hence, many of elite women's interests and occupations were more amateur than professional in their nature. It is, however, important to stress that from the Renaissance to the beginning or midnineteenth century, the word amateur did not include the same dismissive notions as the opposite of a professional person as it conveys today.…”
Section: Elite Career Makersmentioning
confidence: 99%