Abstract:Warum fällt es vielen Menschen so schwer, achtsam mit dem eigenen Körper umzugehen? Warum ist das Befassen mit dem eigenen Körper oft mit Peinlichkeit besetzt? Warum gilt nur als intelligent, wer Würfel im Raum drehen und lange Wörterlisten auswendig lernen kann? Warum geben Menschen die Autorität über ihren physischen Körper so bereitwillig ab an eine Wissenschaft, die ihn in scheinbar unzusammenhängende Einzelteile aufteilt?
Maja Storch, Benita Cantieni, Gerald Hüther und Wolfgang Tschacher gehen… Show more
“…In conclusion, we found a wealth of associations between physiology and self-rated experiences; aesthetic experience was found embodied in physiology (Tschacher & Tröndle, 2011). With few exceptions, experiences and emotions with high valence were connected to higher sympathetic arousal.…”
A study of 690 participants attending classical public concerts was conducted with the goal of analyzing the associations between self-reported aesthetic experiences and listeners' physiological responses. The concerts staged chamber music by Ludwig van Beethoven, Brett Dean, and Johannes Brahms. Participants' physiological signals were recorded with wearable sensors during the concerts. After the concerts, music segments were individually presented to participants, and the participants' experiences of the music segment were obtained using the Aesthetic Emotions Scale.
“…In conclusion, we found a wealth of associations between physiology and self-rated experiences; aesthetic experience was found embodied in physiology (Tschacher & Tröndle, 2011). With few exceptions, experiences and emotions with high valence were connected to higher sympathetic arousal.…”
A study of 690 participants attending classical public concerts was conducted with the goal of analyzing the associations between self-reported aesthetic experiences and listeners' physiological responses. The concerts staged chamber music by Ludwig van Beethoven, Brett Dean, and Johannes Brahms. Participants' physiological signals were recorded with wearable sensors during the concerts. After the concerts, music segments were individually presented to participants, and the participants' experiences of the music segment were obtained using the Aesthetic Emotions Scale.
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