Abstract:This article discusses Elizabeth Stuart Phelps’s 1870 novel Hedged In in the context of the emergence of American literary realism in opposition to the antebellum “romance,” particularly as that form was the vehicle through which high-cultural authorship was both established and established as male. I argue that reading the novel as a rewriting of the most venerable exemplar of the romance tradition, Nathaniel Hawthorne’s The Scarlet Letter , suggests that the contours of realism’s emergence made it attractive… Show more
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