Abstract:In March 1927, blues singer Bessie Smith laid down four tracks for Columbia Records in New York City. One of these tunes, “Send me to the ‘Lectric Chair,” stands as a landmark in that it is the first blues comment on the most powerful punishment of the time. Less than a year later, the country blues star Blind Lemon Jefferson captured his “‘Lectric Chair Blues” in Chicago for Paramount. Again, the electric chair becomes a catalyst for composition in blues song. But why would these performers decide to document… Show more
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