2017
DOI: 10.22134/trace.71.2017.29
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“ El instrumento para ver” o tlachieloni

Abstract: Resumen: En los manuscritos pictográficos y las descripciones hechas en particular por Bernardino de Sahagún y Diego Durán, el cuerpo de los dioses mexicas está cubierto de numerosos atributos. Este artículo examina un objeto asido de la mano por ciertas deidades, el tlachieloni, descrito por los cronistas como "el instrumento para ver". Se propone demostrar que este atributo debe considerarse como un elemento destinado a ser interpretado y "activado" durante ciertos momentos rituales particulares relacionados… Show more

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Cited by 2 publications
(3 citation statements)
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“…Individual 2 (Figure 9a) wears an ornament on the chest and holds a round shield. Such ornaments, called anáhuatl , were pendants made of pearly conch shell from the Pacific Coast (Vesque 2017:n9). For Postclassic communities in central Mexico, Xipe Totec, “Our lord the flayed one,” was a warrior god (Dehouve 2017:34), a god of renewed vegetation, patron of metalsmiths, and who identified with Mixcoatl under his various titles (Tena 2002:78).…”
Section: Identifying Patron or Guardian Deitiesmentioning
confidence: 99%
See 1 more Smart Citation
“…Individual 2 (Figure 9a) wears an ornament on the chest and holds a round shield. Such ornaments, called anáhuatl , were pendants made of pearly conch shell from the Pacific Coast (Vesque 2017:n9). For Postclassic communities in central Mexico, Xipe Totec, “Our lord the flayed one,” was a warrior god (Dehouve 2017:34), a god of renewed vegetation, patron of metalsmiths, and who identified with Mixcoatl under his various titles (Tena 2002:78).…”
Section: Identifying Patron or Guardian Deitiesmentioning
confidence: 99%
“…
Figure 9.(a) Individual 2, pillar a, Pyramid B (drawing by the author and Daniel Correa, digitalization by Aarón Arboleyda); (b) Ixtlilton, Codex Tudela, pl. 44r (Vesque 2017:Figure 10/A); (c) Huehuecóyotl, Codex Borbonicus, pl. 4 (Mateos Higuera 1992:Figure 5/1).
…”
Section: Identifying Patron or Guardian Deitiesmentioning
confidence: 99%
“…The recessed portion of the relief carving was painted with red pigment, while the raised portion was painted with red, yellow, white, and light blue pigments.
Figure 10.Comparison of carved panel from Locality P6-2 (d) with other representations from Tula and elsewhere: (a) h–j–p–s panel, Pyramid B, Tula Grande (Jiménez Garcia 2021:Figure 3a; (b) Reclining figure, Edificio 3, Tula Grande (Jiménez García 1998); (c) deities or deity impersonators holding tlacheloni's (arrows) (Vesque 2016:Figure 5; Olivier 2004:Plate 5b); (e) “dancing jaguar” frieze Los Falos, Chichén Itzá (Schmidt 2003:Figure 33); (f) reconstruction of Scarlet Macaw frieze from Ball Court, Copan (Fash 2010:Figure 3).
…”
Section: Extensive Excavationmentioning
confidence: 99%