Eksplorasi Kekayaan Seni Dayak Ngaju  Di Desa Tumbang Manggu Kabupaten Katingan

AGEL, PEPE RUSMITHA; Khasanah, Nur; Muslimah, Muslimah; Wulan, Hernes Demar; Karliani, Eli; Tryani, Tryani

doi:10.31316/jk.v5i2.1732

Cited by 2 publications

(6 citation statements)

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“…The sacredness of plants is reflected in the belief of the Dayak community in the Batang Garing Tree (the tree of life) as a guide to understanding life. This tree is considered to be a tree of instructions to regulate life that must be taught to the Ngaju Dayak people in the future (Agel et al, 2021;Harysakti & Mulyadi, 2014;Kurniawan, 2018). The awareness of the Dayak ethnic group in caring for forests and their environment has proven to be able to prevent environmental damage in the Central Kalimantan region, including from the expansion of mining companies (Großmann, 2019;Usop & Rajiani, 2021).…”

Section: Value Systemmentioning

confidence: 99%

“…This Betang house is in the form of a stilt house with a height of about three to five meters from the ground, the goal is to (rabab). This art is usually chanted rhymes or gurindam to welcome guests at family events or weddings (Agel et al, 2021). Karungut is almost similar to Madihin in South Kalimantan, while in Central Java it is called Macapat.…”

Section: Traditional Buildingmentioning

confidence: 99%

“…Manasai dancers usually surround the lunuk sangkai (a series of lunuk branches), the red and white flag, and the Bahalai flag as a symbol of the spirit of unity and determination to uphold the philosophy of Huma Betang. (Agel et al, 2021). In addition there are nginyah/kinyah/kenyah dance, Bukas dance, Banting Raun dance, Ngajan dance, Giring-giring dance, Deder dance, Dedeo dance, Balian dance, Halu/Antan/Kanjan halu dance, Kambang Pandan dance, Dandang Tingana, Nyandung Nyambah dance, Mangkules dance, Tugal dance, Galang Bawo dance, and so on.…”

Section: Traditional Buildingmentioning

confidence: 99%

“…As a social symbol, talawang carved with flora and fauna is a symbol of a harmonious relationship with nature and fellow human beings. Talawang has become a Dayak identity that is built and maintained in harmony with roots to ensure the future of the next generation (Agel et al, 2021). Sapundu is a place for tying sacrificial animals (buffaloes, cows, or pigs) used in traditional tiwah ceremonies.…”

Section: Traditional Buildingmentioning

confidence: 99%

“…The burial pit of the corpse is then reused to bury other bodies. (Agel et al, 2021) Figure 3. Sapundu in the Court of the Bulau Sahebun Traditional House (http://cagarbudaya.kemdikbud.go.id/cagarbudaya/detail/PO2018092200010/sapu ndu-di-pelataran-rumah-adat-bulau-sahebun)…”

Section: Traditional Buildingmentioning

confidence: 99%

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Local wisdom of dayak ethnic groups in central kalimantan, Indonesia

Suswandari

Armiyati

Azid

2022

ETNOSIA

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The Dayak ethnicity is the largest community in the Central Kalimantan region, but this ethnic identity is slowly disappearing along with the development of modernization among the younger generation. This study aims mapped sub-ethnic and ethnic groups (sedatuk) and identify the local wisdom of the Dayak ethnic groups that still survive in Central Kalimantan. This study uses a library research approach. The research collects data by reviewing and exploring journals, books, and documents (both printed and electronic) and other relevant data sources. The results show that the Dayak ethnicity in Central Kalimantan is divided into several sub-ethnics, where each sub-ethnic is further divided into kinship clans (sedatuk). Local wisdom that Dayak Ethnic still maintains which are religious and kinship system. Also, value systems are appreciation of nature, communal system, ancestors’ veneration, marriage system, traditional building, art (traditional music, dance, song, weaving art, sculpting, painting, and tattoo), traditional weapon, farming, and agriculture. Local governments can collaborate with private and public institutions to preserve local Dayak ethnic wisdom, especially in the younger generation.

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Section: Value Systemmentioning

confidence: 99%

Section: Traditional Buildingmentioning

confidence: 99%

Section: Traditional Buildingmentioning

confidence: 99%

Section: Traditional Buildingmentioning

confidence: 99%

Section: Traditional Buildingmentioning

confidence: 99%

See 3 more Smart Citations

Local wisdom of dayak ethnic groups in central kalimantan, Indonesia

Suswandari

Armiyati

Azid

2022

ETNOSIA

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Utilizing the potential of local arts and culture as economic capital in the Sanggar Karawitan Mudo Raharjo Ogan Komering Ulu Timur district

Saputra,

Andriani,

Hartono

2023

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[Bahasa]: Sanggar Karawitan Mudo Raharjo merupakan kelompok penggiat seni budaya yang lahir dari kecintaan masyarakat transmigran asal Jawa Tengah di Desa Margotani Kabupaten Ogan Komering Ulu Timur Provinsi Sumatera Selatan. Pada awal pembentukan, kelompok sanggar melestarikan kesenian musik karawitan dengan hiburan seni ketoprak. Namun, eksistensi kegiatan seni karawitan dan ketoprak sudah mulai berkurang karena beberapa pemain sudah mulai tidak ada. Di sisi lain, proses regenerasi tidak berjalan sebagaimana mestinya. Kondisi ini mengakibatkan berkurangnya pemasukan sanggar dan hilangnya pewaris seni budaya leluhur sehingga diperlukan adanya pelatihan pengembangan kreatifitas seni budaya dan pelatihan pemasaran secara online. Pelatihan ini bertujuan untuk menumbuhkembangkan jiwa kreativitas dan socialpreneur sehingga mitra kedepannya dapat menghasilkan karya unggulan yang dibutuhkan pasar dan bernilai ekonomi tinggi. Pelatihan menggunakan pendekatan Asset Based Community Development (ABCD) yang dilakukan pada 30 orang, terdiri dari kelompok orang tua dan kelompok remaja yang ada di Desa Margotani. Pelatihan yang diberikan mencakup teknis produksi karya, seperti pelatihan Dalang, prosesi Temon, tari kreasi dan tradisional Jawa, dan pemasaran karya melaui pembuatan media pemasaran secara online. Hasil kegiatan pengabdian kepada masyarakat tersebut menunjukkan bahwa terjadi peningkatan pengetahuan peserta dari 6,7% menjadi 72,8%. Selain itu, juga terjadi peningkatan kreativitas dari yang sebelumnya hanya memainkan seni karawitan menjadi mampu memainkan seni tari kreasi tradisi, prosesi adat temu manten, dan berperan sebagai Dalang. Hasil wawancara menunjukan bahwa peserta memperoleh motivasi, dorongan, terbukanya jalan untuk melanjutkan dan mengembangkan kesenian karawitan agar dapat dikenal oleh publik sehingga bernilai ekonomi yang dapat mewujudkan kesejahteraan masyarakat desa. Kata Kunci: seni budaya, pelatihan, sanggar karawitan [English]: The Mudo Raharjo Karawitan Studio is a group of arts and culture activists born from the love of the transmigrant community from Central Java in Margotani Village, East Ogan Komering Ulu Regency, South Sumatra Province. At the beginning of its formation, the studio group preserved the art of Karawitan music with Ketoprak art entertainment. However, musical and Ketoprak art activities have decreased because some players have begun to disappear. On the other hand, the regeneration process does not work as it should. This condition results in reduced income for studios and the loss of heirs to ancestral arts and culture, so there is a need for training in the development of creative arts and culture and online marketing training. This training aims to develop the spirit of creativity and social entrepreneurship so that future partners can produce superior work that is needed by the market and has high economic value. The training used the Asset Based Community Development (ABCD) approach, which was carried out on 30 people, consisting of parents and youth groups in Margotani Village. The training includes technical work production, such as Dalang training, Temon processions, creative and traditional Javanese dances, and marketing works through creating online marketing media. The results of the community service program showed an increase in participants' knowledge from 6.7% to 72.8%. Apart from that, there was also an increase in creativity from previously only playing musical arts to being able to play traditional dance creations, traditional meeting Manten processions, and acting as Dalang. The results of the interviews showed that the participants received motivation and encouragement and opened up a way to continue and develop the art of karawitan so that the public can recognize that it has economic value that can realize the welfare of the village community. Keywords: arts and culture, training, karawitan studio

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Eksplorasi Kekayaan Seni Dayak Ngaju Di Desa Tumbang Manggu Kabupaten Katingan

Cited by 2 publications

References 0 publications

Local wisdom of dayak ethnic groups in central kalimantan, Indonesia

Local wisdom of dayak ethnic groups in central kalimantan, Indonesia

Utilizing the potential of local arts and culture as economic capital in the Sanggar Karawitan Mudo Raharjo Ogan Komering Ulu Timur district

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