The Cambridge History of English Literature, 1660–1780 2005
DOI: 10.1017/chol9780521781442.029
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Eighteenth-century travel literature

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Cited by 2 publications
(1 citation statement)
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“…In both cases, the relationship between local and global travel is meant, in Fabricant's phrase, to “underscor[e] the ideological contradictions of travel as a phenomenon at once other‐directed and self‐confirming” (714). Thus indebted to the postcolonial analyses set out above, Fabricant is interested in how these “encounters in the world beyond England” help to “confir[m]…England's global influence and envied status abroad” (713), or to sharpen the traveller's sense of self – and so her survey also introduces the traveller's sense of self, or the concept of character development, as important dimension of travel writing. Bohls, too, explores the balance between the journey “within” and the journey “without,” or how an individual traveller's “Sentimental Journey” might ever be expected to produce change in the British public sphere at large – but because she is also interested in how writers of imaginative fiction engaged with travel as a trope, her review more explicitly acknowledges the “relation between travel plots and the development of a central character or persona, negotiating between external environment (setting) and internally generated affective or moral agendas” (113).…”
Section: Studies Of Travel Writing and The History Of The Novelmentioning
confidence: 99%
“…In both cases, the relationship between local and global travel is meant, in Fabricant's phrase, to “underscor[e] the ideological contradictions of travel as a phenomenon at once other‐directed and self‐confirming” (714). Thus indebted to the postcolonial analyses set out above, Fabricant is interested in how these “encounters in the world beyond England” help to “confir[m]…England's global influence and envied status abroad” (713), or to sharpen the traveller's sense of self – and so her survey also introduces the traveller's sense of self, or the concept of character development, as important dimension of travel writing. Bohls, too, explores the balance between the journey “within” and the journey “without,” or how an individual traveller's “Sentimental Journey” might ever be expected to produce change in the British public sphere at large – but because she is also interested in how writers of imaginative fiction engaged with travel as a trope, her review more explicitly acknowledges the “relation between travel plots and the development of a central character or persona, negotiating between external environment (setting) and internally generated affective or moral agendas” (113).…”
Section: Studies Of Travel Writing and The History Of The Novelmentioning
confidence: 99%