1962
DOI: 10.2307/1126899
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Effects of Music upon GSR of Children

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1968
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Cited by 4 publications
(6 citation statements)
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“…For instance, significant increases in SC have been found to accompany exposure to stimuli of high emotional content, such as aggressive film scenes (Geen and Rakosky, 1973), erotic stimuli (Hamrick, 1974) and startle responses accompanying fear imagery (Vrana, 1995). SC has also been found to distinguish emotional from non-emotional music scores accompanying stressful films (Thayer and Levenson, 1983), and SC (but not HR) was found to differentiate responses to exciting music from those of calm and neutral music (Zimny and Weidenfeller, 1963). Interestingly, since SC is innervated entirely by the sympathetic nervous system, increases in SC appear to be linearly correlated with increases in arousal.…”
Section: Discussionmentioning
confidence: 99%
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“…For instance, significant increases in SC have been found to accompany exposure to stimuli of high emotional content, such as aggressive film scenes (Geen and Rakosky, 1973), erotic stimuli (Hamrick, 1974) and startle responses accompanying fear imagery (Vrana, 1995). SC has also been found to distinguish emotional from non-emotional music scores accompanying stressful films (Thayer and Levenson, 1983), and SC (but not HR) was found to differentiate responses to exciting music from those of calm and neutral music (Zimny and Weidenfeller, 1963). Interestingly, since SC is innervated entirely by the sympathetic nervous system, increases in SC appear to be linearly correlated with increases in arousal.…”
Section: Discussionmentioning
confidence: 99%
“…Heart rate (HR), respiration and blood pressure increased more in response to stimulative music that aroused feelings of vigour and tension than to sedative music (Iwanaga and Moroki, 1999). Zimny and Weidenfeller (1963) also found that SC responses of college students were significantly increased by 'exciting' music (Dvorak's 'New World' symphony), but not by 'neutral' (Chopin's Les Sylphides) or 'calm' (Bach's ' Air on the G String') music.…”
Section: N I K K I S R I C K a R D M O Na S H U N I V E R S I T Y Au S T R A L I Amentioning
confidence: 96%
“…It is worth highlighting that only the first stage of music education was performed in the present study, a factor that may have influenced the results because, as previously mentioned, time of exposure to music education directly influences the academic performance of children. Thus, it would be important to observe how the completion of subsequent stages would influence school performance, considering that musical learning has been used to increase performance of children in classroom tasks (30) and improve learning in various school subjects, concentration, and individual performance (8,9,10) .…”
Section: Discussionmentioning
confidence: 99%
“…Yet, the basis of this control by music remains unexplained. One known property of music is that when music is contingent upon a response it can be a reinforcer, as shown by Barrett's (1962) punishment of tics by timeout from music and by Ayllon and Azrin's (1965Azrin's ( , 1968aAzrin's ( , 1968b Weidenfeller, 1962Weidenfeller, , 1963Ellis and Brighouse, 1952). Also, the use of music therapy for mental patients seems to be based on the assumption that music affects the general emotional state.…”
mentioning
confidence: 99%
“…Loud music has been found to act as a punisher (Smith and Curnow, 1966) and is similar in that respect to simple noise on human behavior (Azrin, 1958). Even when it is not contingent on behavior, music seems to have distinctive properties; the GSR and respiration have been found to increase during some types of music and to decrease during others (Zimny and Weidenfeller, 1962Weidenfeller, , 1963Ellis and Brighouse, 1952). Also, the use of music therapy for mental patients seems to be based on the assumption that music affects the general emotional state.…”
mentioning
confidence: 99%