2005
DOI: 10.1007/s00265-005-0066-z
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Effects of different levels of song overlapping on singing behaviour in male territorial nightingales (Luscinia megarhynchos)

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Cited by 56 publications
(53 citation statements)
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References 41 publications
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“…Slower explorers, in contrast, sang more songs but stayed farther away and eventually left the playback site for longer and covered a larger distance after playback than did faster males. Moreover, in line with previous experiments, males in general responded more strongly to the overlapping playback than to alternating playback (Dabelsteen et al 1997;Mennill & Ratcliffe 2004;Naguib & Kipper 2006;Schmidt et al 2007). Yet these overall differences in behaviour reveal not only quantitative differences but different strategies.…”
Section: Discussionsupporting
confidence: 90%
“…Slower explorers, in contrast, sang more songs but stayed farther away and eventually left the playback site for longer and covered a larger distance after playback than did faster males. Moreover, in line with previous experiments, males in general responded more strongly to the overlapping playback than to alternating playback (Dabelsteen et al 1997;Mennill & Ratcliffe 2004;Naguib & Kipper 2006;Schmidt et al 2007). Yet these overall differences in behaviour reveal not only quantitative differences but different strategies.…”
Section: Discussionsupporting
confidence: 90%
“…But of course, to the extent that they Bmean^any-thing, these bark strings all mean the same thing. Some birds do more than this, acquiring quite complex and structured song repertoires via vocal learning, with basic elements numbering in the thousands (Kroodsma & Parker, 1977) and an unlimited variety of orderings (Hultsch & Todt, 1989;Weiss, Hultsch, Adam, Scharff, & Kipper, 2014), and listeners show clear awareness of different song types (Naguib & Kipper, 2006;Naguib & Todt, 1997). While such complex repertoires are far from trivial, and their strings differ discriminably from one another, they do not communicate equally complex semantic messages.…”
Section: Hierarchical Syntaxmentioning
confidence: 99%
“…Alternation is predominant and is based on a singing style that ensures a silent interval after each emission, leaving space for a response (Naguib and Mennill, 2010). In the winter wren (Troglodytes hiemalis), 90% of the songs are produced during interactions and the intersong interval is longer when there is a vocal interaction than when the male sings solo (Camacho-Schlenker et al, 2011).…”
Section: Coordination In Mammals and Birds' Vocal Interactionsmentioning
confidence: 99%
“…In general, it stops the exchange: the first emitter falls silent (Schmidt et al, 2006;Naguib and Mennill, 2010). In black capped chickadees (Poecile atricapillus), dominant males tend to overlap more which could reflect increased aggressiveness (Ficken et al, 1978;Baker et al, 2012).…”
Section: Coordination In Mammals and Birds' Vocal Interactionsmentioning
confidence: 99%
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