2012
DOI: 10.3813/aaa.918556
|View full text |Cite
|
Sign up to set email alerts
|

Effects of Acoustic and Visual Stimuli on Subjective Preferences for Different Seating Positions in an Italian Style Theater

Abstract: This study investigates the effects of acoustic and visual stimuli on subjective preferences for different seating positions in an Italian style theater.The sound and visual fields of ten positions in the theater were simulated in twolaboratories, one equipped with alarge-wide (7 m×3m)screen with headphones for the sound source, and the other equipped with a42" LCD monitor with 6pairs of stereo loudspeakers. The sound signal wasananechoic soprano vocal music piece accompanied by ak eyboard, convolved with bina… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

2
15
0

Year Published

2013
2013
2023
2023

Publication Types

Select...
8
1

Relationship

3
6

Authors

Journals

citations
Cited by 17 publications
(19 citation statements)
references
References 15 publications
(25 reference statements)
2
15
0
Order By: Relevance
“…On the other hand, fewer studies have addressed audiovisual factors in auditorium preferences. In two early studies on the effect of auditory and visual factors on seat preference in opera theatres using static photographs and binaural auditory renders (Jeon et al, 2008; Sato et al, 2012), significant visual effects were found. A recent study using virtual auditoria found that while concert hall interior color affects visual preference and sound level affects auditory preference, these two preferences enhanced each other (Chen & Cabrera, 2021).…”
mentioning
confidence: 99%
“…On the other hand, fewer studies have addressed audiovisual factors in auditorium preferences. In two early studies on the effect of auditory and visual factors on seat preference in opera theatres using static photographs and binaural auditory renders (Jeon et al, 2008; Sato et al, 2012), significant visual effects were found. A recent study using virtual auditoria found that while concert hall interior color affects visual preference and sound level affects auditory preference, these two preferences enhanced each other (Chen & Cabrera, 2021).…”
mentioning
confidence: 99%
“…Furthermore, differently from the acoustics of concert halls-where the highest spatial sound is one of the main targets of the acoustical design-in the opera house, the role of the spatial impression has to be revised in view of the simultaneous presence and emission of two sources, orchestra and singer, each having peculiar sound power, frequency response, directivity and location in the hall volume. Recent studies indicated that, different to what one would expect, under these circumstances the increase of inter-aural cross-correlation 2 provided by the singer source might be used by the listener to focus the singer and hence better separate her/him from the competing orchestral background [18]. This would contrast with the knowledge of an overriding requirement for low inter-aural cross-correlation for musical sources when playing singularly [19].…”
Section: Listening In the Tiers Of Boxesmentioning
confidence: 87%
“…The tendency to prefer closer seats seems to increase with the difference of perceptual distances, which is the greatest in MT. Considering that there are a number of acoustic factors that change with distance the evidence from studies on opera theatres 31,32 suggests that the determining factor is in fact loudness. Observing the G values presented in Fig.…”
Section: Discussionmentioning
confidence: 99%