Editorial

Abstract

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Public art and ritual transformation in Northern Ireland

“…We are also attentive to the notion by Vernet (2015) that the sites on which public art are installed are loci of identity construction and experiments in living together for participants. We have sought to respond to the call for increased attention to “consumer experience, cultural and creative value and cultural tourism” by bringing “new approaches to understanding and expressing the experience of audiences and consumers” to bear upon a collaborative art installation in contested space (Walmsley and Meander, 2018, pp. 4; 2).…”