2015
DOI: 10.15845/emco.v6i1.1274
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Editing and the Shadow of the Folio: On the Textual Integrity of The Taming of a Shrew (1594)

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(2 citation statements)
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“…Recently, Roy Eriksen and Donna Murphy have even strongly claimed Christopher Marlowe's paternity. 1 The Taming of a (the) Shrew was a popular play in the 1590s, as is shown by references to it in poems, letters, and treatises. In Antony Chute's Beawtie dishonoured written under the title of Shores Wife (1593), there is a possible allusion to the last scene of The Shrew ('Come on and kiss me Kate', 5.2.180): 'He calls his Kate, and she must come and kisse him'.…”
Section: Dramatic and Theatrical Intertextsmentioning
confidence: 99%
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“…Recently, Roy Eriksen and Donna Murphy have even strongly claimed Christopher Marlowe's paternity. 1 The Taming of a (the) Shrew was a popular play in the 1590s, as is shown by references to it in poems, letters, and treatises. In Antony Chute's Beawtie dishonoured written under the title of Shores Wife (1593), there is a possible allusion to the last scene of The Shrew ('Come on and kiss me Kate', 5.2.180): 'He calls his Kate, and she must come and kisse him'.…”
Section: Dramatic and Theatrical Intertextsmentioning
confidence: 99%
“…From this perspective, the intertexts of The Shrew/A Shrew appear to be a palimpsest of quotations, revisions, and translations, rendered the more obscure by the absence of the lost ur-text. Cahiers Élisabéthains: A Journal of English Renaissance Studies 112 (1)…”
Section: Ferraresementioning
confidence: 99%