Early Mexican Broadcasting

Alisky, Marvin

doi:10.1215/00182168-34.4.513

Cited by 17 publications

(1 citation statement)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…On November 2, 1920, the Westinghouse Electric Company in Pittsburgh converted its experimental station into a commercial radio station (Fones-Wolf, 2006). Shipto-shore radio communication and experimental broadcasting, however, preceded the creation of commercial radio stations making the history of the medium longer (Alisky, 1954;Balbi, 2017;Briggs, 1995;Day, 1994;Douglas, 1987;Gilfillan, 2009;Johnson, 1988;MacLennan, 2010;Slotten, 2006;Stiegler, 2008;Vaillant, 2010;Vipond, 1992). Regular commercial or public radio stations were quickly established all over the world, the earliest in 1919 and 1920.…”

Section: Editorialmentioning

confidence: 99%

Editor’s Remarks: Celebrating 100 Years of Radio Broadcasting!

MacLennan¹

2020

Journal of Radio & Audio Media

View full text Add to dashboard Cite

Section: Editorialmentioning

confidence: 99%

Editor’s Remarks: Celebrating 100 Years of Radio Broadcasting!

MacLennan¹

2020

Journal of Radio & Audio Media

View full text Add to dashboard Cite

Los sentimientos del alma: cultural dialogue and the multiple origins of Panamanian típico

Robles

2023

Pop. Mus.

View full text Add to dashboard Cite

In this article, I explore the processes of cultural dialogue through which European and Caribbean dances such as the waltz, the pasillo, the polka, and the danzón became tributaries of Panamanian típico. These genres, particularly the thriving danzón culture in Panama, contributed in various degrees to the shaping of típico as local performers adopted, adapted and reinterpreted rhythms and melodic material from the context of existing musical traditions. Expanding on recent research, I show how this cultural dialogue developed into a platform for innovation from which típico emerges as a distinct genre in the mid 20th century, a reinterpretation of the dance repertoire known as danzón–cumbia by composers which I collectively call the Azuero School. I examine how this repertoire and its performance practice became channels for discontinuous cultural dialogue, experimentation and reinterpretation of multiple influences in a context of political and social change in Panama.

show abstract

Celebrating a Hundred Years of Broadcasting – An Introduction and Timeline

MacLennan¹

2020

Journal of Radio & Audio Media

View full text Add to dashboard Cite

What's a celebration of a hundred years of history without names, dates, and places, perhaps a timeline? This symposium celebrates one hundred years of broadcasting. This issue broadens the meaning of broadcasting, looking at it in a variety of forms. Michael Socolow's study of the historical writing for the last ninety years, "Radio's Waves of History: How Social, Political, and Regulatory Activism Inspired Radio Network Historiography in the United States, 1930-2020," demonstrates the depth of research in the field. Socolow takes the readers full circle starting with the deception of War of the Worlds and concluding with fake news (Socolow, 2020). The history leads into the variety of forms that broadcasting has taken and the extensions of radio's mandate beyond its first decades.

show abstract

Early Mexican Broadcasting

Cited by 17 publications

References 0 publications

Editor’s Remarks: Celebrating 100 Years of Radio Broadcasting!

Editor’s Remarks: Celebrating 100 Years of Radio Broadcasting!

Los sentimientos del alma: cultural dialogue and the multiple origins of Panamanian típico

Celebrating a Hundred Years of Broadcasting – An Introduction and Timeline

Contact Info

Product

Resources

About